"synopsis" may belong to another edition of this title.
The large-scale portraits in "Muse: Mickalene Thomas Photographs" (Aperture) which publishes this autumn, combines aspects of classical odalisque paintings with those of fashion photography of the 1970s Black is Beautiful-era (when her mother was a model), among other influences, to examine race, sexuality, the artist s gaze, and the construction of images. "Advocate"
Like a combination of Malick Sidibe s studio portraits of Milian youth and 70s blaxploitation films, Mickalene Thomas s photographs of black women are visually dynamic and positively genuine. "Art News"
Provides the first overview of her dazzling series of photographs featuring black women "Harper's Bazaar"
Thomas revels in a theatrical form of feminine display. "The New Yorker" photo booth
Mama Bush s beauty is indelibly preserved in her daughter s ideal photographic images, enduring memorials to her mother, the pivotal muse in her work, her mirror reflecting a gaze between two women, and the self. "The New Yorker" photo booth
Thomas is a playful and intense explorer of the self-preservation of beautiful women. "The New York Times Magazine"
The black skin of these glammed-up superheroes is often the only thing in these photos that is not a riot of ornament and color, but blackness as photographed by Thomas is a riot all its own. "The New York Times Magazine"
She s created a vast body of portraits that critically deconstruct definitions of beauty, race, and gender specifically for black women&mdash: and redefine them on her own terms "The New York Times" "
The large-scale portraits in Muse: Mickalene Thomas Photographs (Aperture) which publishes this autumn, combines aspects of classical odalisque paintings with those of fashion photography of the 1970s Black is Beautiful-era (when her mother was a model), among other influences, to examine race, sexuality, the artist s gaze, and the construction of images. Advocate
Like a combination of Malick Sidibe s studio portraits of Milian youth and 70s blaxploitation films, Mickalene Thomas s photographs of black women are visually dynamic and positively genuine. Art News
Provides the first overview of her dazzling series of photographs featuring black women Harper's Bazaar
Thomas revels in a theatrical form of feminine display. The New Yorker photo booth
Mama Bush s beauty is indelibly preserved in her daughter s ideal photographic images, enduring memorials to her mother, the pivotal muse in her work, her mirror reflecting a gaze between two women, and the self. The New Yorker photo booth
Thomas is a playful and intense explorer of the self-preservation of beautiful women. The New York Times Magazine
The black skin of these glammed-up superheroes is often the only thing in these photos that is not a riot of ornament and color, but blackness as photographed by Thomas is a riot all its own. The New York Times Magazine
She s created a vast body of portraits that critically deconstruct definitions of beauty, race, and gender specifically for black women&mdash: and redefine them on her own terms The New York Times"
"About this title" may belong to another edition of this title.
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