Product Description:
Language: English - 424 pages - color illustrations - This is THE BEST book there is on Versailles (which is probably why its normally a hundred bucks!) There is only one problem I have ever had with the book and that is the poor physical quality. I had to order it twice because my first copy fell completely apart within a few weeks. Needless to say I was not happy at all when that happened. Every copy that I have seen (in libraries, other bookstores) has the same problem. Normally, I would not have tried again after that, but I HAD to have this book. My second one has also begun to separate from the binding, so I rarely read it... but when I do, I use **EXTREME** care. I think the main reason for this is the size and weight of the book, so if you decide to purchase it, keep that in mind. I recommend turning the pages *slowly* and not leaving it completely flat and/or open for any long period of time. Also, store it horizontally, NOT vertically... the pages are so heavy, they will end up tearing themselves out!
About the Author:
Jean-Marie Pérouse de Montclos (Doctor of Letters, Director of Research at CNRS, the Centre National de la Recherche Scientifique) is the author of numerous scholarly books and articles on post-Renaissance architecture, notably Architecture à la Française (1982), in which he proposes a revisionist interpretation of classical French architecture. He has worked in close collaboration with the eminent art historian André Chastel and served as director of the national inventory of French artistic treasures (LInventaire général des Monuments et Richesses Artistiques de la France), established by André Malraux in the mid-1960s. His work Vocabulaire de l'Architecture has become a standard reference work on matters pertaining to the study and preservation of Frances architectural treasures. He is currently professor at the cole du Louvre and at the Centre d'Etudes Supérieures d'Histoire et de Conservation des Monuments Historiques de Paris.
Robert Polidori was born in Montreal, Canada, to a French Canadian mother and a Corsican father. He moved to the United States in 1961 when he was ten–years old and in 1969 settled in New York. From 1970 to 1972 he worked as an assistant to Jonas Mekas at the Anthology Film Archives in New York and for the next six years produced a number of avant-garde films. In 1979 he received an M.A. from the State University of New York at Buffalo and soon thereafter turned his attention to still photography. He has been living in Paris since 1987.
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