Amy Goldin's critical writing inspired many artists of the 1960s and '70s. Her unconventional acceptance of the new art forms emerging during the time and her challenge to the traditional teaching of art history in the classroom paved the way for broader parameters within the definition of art. Thirty of Goldin's extensive writings have been selected and coupled with insightful first-person accounts from fellow art critics and art historians in this presentation. Goldin's thought-provoking articles on Islamic art, conceptual art, folk art, Abstract Expressionism, and African American art are featured along with in-depth analysis of such artists as Henri Matisse, George Sugarman, Manny Farber and Morris Louis.
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...a long-overdue collection of 28 essays by the critic. The handsomely designed paperback also includes a full bibliography and observations on her work by nine other critics and historians, such as Irving Sandler, Michael Duncan and Joan Simon.--Christopher Knight "Los Angeles Times "
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Paperback. Condition: Fine. 1st. 254 pages, illustrations (chiefly colour); 23 cm. Tight, clean copy. An interesting tribute to the writings of art critic Amy Goldin, known for her writings on Post-Minimalist, Pattern & Decoration, and feminist art. CONTENTS: Amy Goldin: a retrospective, by Elizabeth C. Baker; Amy Goldin, 1926-1978, by Robert Kushner; The Dada legacy (Arts Magazine, September 1965); Amy Goldin: pleasure's muse, by Irving Sandler; Harold Rosenberg's magic circle (Arts Magazine, November 1965); A note on opticality (Arts Magazine, May 1966); McLuhan's message: participate, enjoy! (Arts Magazine, May 1966); The sculpture of George Sugarman (Arts Magazine, June 1966); Art in a hairshirt (Art News, February 1967); Le ger now (Art news, December 1968); Why I think art doesn't concern individuals-- (Unpublished, 1968); Morris Louis: thinking the unwordable (Art News, April 1968); One cheer for expressionism (Art News, November 1968); A spring-loaded mind, by Max Kozloff; Deep art and shallow art (New American Review #4, 1969); The post perceptual portrait (Art in America, January/February 1975); Conceptual art as opera, by A. Goldin & R. Kushner, Art News, March 1970); Rugs (Unpublished, 1972); A visitor from Brooklyn, by Oleg Grabar; In praise of innocence (Art in America, March/April 1974); The esthetic ghetto: some thoughts about public art (Art in America, May/June 1974); Qajar painting at the Iranian-American cultural center (Art in America, September/October 1974); Amy Goldin: public life, the intellect, and the low pleasures of decoration, by Michael Duncan; Matisse and decoration: the late cut-outs (Art in America, July/August 1975); The content of decoration, Emna Zghal; Patterns, grids and painting (Artforum, September 1975); Zuka at Betty Parsons (Art in America, January/February 1974); Abstract expressionism, no man's landscape (Art in America, January/February 1976); That such writing could be done, by Holland Cotter; Islamic art: the Met's generous embrace (Artforum, March 1976); Problems in folk art (Artforum, June 1976); Forever wild: a pride of fauves (Art in America, September 1976); Islam goes to England (Art in America, January 1977); Goldin's gifts, by Joan Simon; Alexander Calder, 1898-1976 (Art in America, March/April 1977); Two centuries of Black American art (Art in America, January 1978); Manny Farber: reforming formalism (Art in America, May/June 1978). Size: 8vo. Collectible. Seller Inventory # 104411
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