T.S.Eliot's "Wasteland" (Modern Critical Interpretations S.) - Hardcover

Eliot, T. S.

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9781555460389: T.S.Eliot's "Wasteland" (Modern Critical Interpretations S.)

Hardcover

ISBN 10: 1555460380 ISBN 13: 9781555460389

Publisher: Chelsea House Publishers, 1986

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-- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature -- The critical essays reflect a variety of schools of criticism -- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

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Review:

"April is the cruellest month, breeding / Lilacs out of the dead land, mixing / Memory and desire ..." So begins The Waste Land, T.S. Eliot's most famous, if not notorious, poem--a work which still surprises and excites with its technical ambition, its range and complexity, its startling images. One of the iconic works of Modernism and one of the great 20th-century poems in English, The Waste Land places the spiritual emptiness of modern urban existence within an intricate, allusive montage which draws on history, literature, myth, and world religions: "These fragments I have shored against my ruins". Difficult, yes, but also powerful: you don't need to get the references to get the poetry.

Eliot was born in St. Louis, Missouri, and studied at Harvard and the Sorbonne in Paris before settling in London (the city that provided much of the urban detail of his post-1920 writing): a shift evidenced by his repeated allusions to the European literary inheritance (from Dante to Baudelaire and beyond) and by his refusal of the American poetic sensibility of writers like William Carlos Williams. The result was a body of writing both curiously nostalgic for a sense of "tradition" and highly inventive, suffused with an acute and perceptive sense of contemporary life and the anxieties of turn-of-the-century modernity.

This selection of his verse is a useful introduction to the range of his poetics, from the early pieces which bear the influence of French symbolist poets--most notably Jules Laforgue--to the later works which are marked by his turn towards Christianity. The nervous, amourous hesitancy delineated in "The Love Song of J. Alfred Prufrock"; the memory fragments of "Gerontion"; the impressionistic canvas of "Landscapes: II. Virginia" ("Red river, red river / Slow flow heat is silence ...")--all give ample evidence that Eliot's poetry is always worth revisiting. --Burhan Tufail

About the Author:

Thomas Stearns Eliot was born in St Louis, Missouri in 1888. He was educated at Harvard, at the Sorbonne in Paris, and at Merton College, Oxford. His early poetry was profoundly influenced by the French symbolists, especially Baudelaire and Laforgue. In his academic studies he specialised in philosophy and logic. His doctoral thesis was on F. H. Bradley. He settled in England in 1915, the year in which he married Vivienne Haigh-Wood and also met his contemporary Ezra Pound for the first time. After teaching for a year or so he joined Lloyds Bank in the City of London in 1917, the year in which he published his first volume, Prufrock and Other Observations. In 1919 Poems was hand-printed by Leonard and Virginia Woolf. His first collection of essays, The Sacred Wood, appeared in 1920. His most famous work, The Waste Land, was published in 1922, the same year as James Joyce's Ulysses. The poem was included in the first issue of his jou

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