Eugene Debs Hartke (named after the famous early 20th century Socialist working class leader) describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device—a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here inHocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.
Debs (and Vonnegut) see academia just as imprisoning as the corrupt penal system and they regard politics as the furnishing and marketing of lies. Debs, already disillusioned by circumstance, quickly tracks his way toward resignation and then fury. As warden and prisoner, Debs (and the listener) come to understand that the roles are interchangeable; as a professor jailed for "radical" statements in the classroom reported by a reactionary student, he comes to see the folly of all regulation.
The "hocus pocus" of the novel's title does not describe only the jolting reversals and seemingly motiveless circumstance which attend Debs' disillusion and suffering, but also describe the political, social, and economic system of a country built upon can't, and upon the franchising of lies. At 68, Vonnegut had not only abandoned the sentiment and cracked optimism manifest inSlaughterhouse-Five, he had abandoned any belief in the system or faith for its recovery. This novel is another in a long series of farewells to the farmland funeral rites of childhood.
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"Vonnegut's best novel in years-funny and prophetic...something special" (The Nation)
"Although it is set in the near future, Hocus Pocus is the most topical, realistic Vonnegut novel to date, and shows the struggle of an artist a little impatient with allegory and more than a little impatient with his own country" (New York Times Book Review)
"Hocus Pocus is, of course, extremely funny. Jokes are told, deadpan and whiplash-sharp; neat, compulsive little anecdotes with stings in the tail jostle one another down the page" (Sunday Correspondent)
"After you have read one of Kurt Vonnegut's gleefully pessimistic novels, his words go on colouring your world for a long time afterwards... not to read him would be to miss out on lessons that need to be learned about the age we live in" (Sunday Times)
"It is all done with voice. Vonnegut is a master of the first-person, manic-depressive stand-up" (Observer)
Master of post-modern satire, Kurt Vonnegut Jr patterns trajectories of sex, spite, crime and power in this kaleidoscopic novel.
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