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Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art - Softcover

 
9781478004820: Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art
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The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase of demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.

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Review:
“This highly original work of Marxist aesthetic theory is a must read for anyone interested in art and capitalism. Leigh Claire La Berge's thought experiment on how labor might go unpaid and still in a nontrivial way remain labor intersects in fascinating ways with arguments about reproductive labor made by feminists, and brilliantly cleaves through mainstream academic culture's increasingly entrenched alternatives of using either ‘biopolitics’ and ‘real subsumption’ to understand our contemporary economy. I learned so much from this book and it still keeps me thinking.” Author: Sianne Ngai, author of Source: Our Aesthetic Categories: Zany, Cute, Interesting
From the Author:
Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York, author of Scandals and Abstraction: Financial Fiction of the Long 1980s, and coeditor of Reading Capitalist Realism.

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