Boston, 1870. Photographer Edward Moody runs a booming business capturing the images of the spirits of the departed in his portraits. He lures grieving widows and mourning mothers into his studio with promises of catching the ghosts of their deceased loved ones with his camera. Despite the whispers around town that Moody is a fraud of the basest kind, no one has been able to expose him, and word of his gift has spread, earning him money, fame, and a growing list of illustrious clients.
One day, while developing the negative from a sitting to capture the spirit of the young son of an abolitionist senator, Moody is shocked to see a different spectral figure develop before his eyes. Instead of the staged image of the boy he was expecting, the camera has seemingly captured the spirit of a beautiful young woman. Is it possible that the spirit photographer caught a real ghost? When Moody recognizes the woman in the photograph as the daughter of an escaped slave he knew long ago, he is compelled to travel from Boston to the Louisiana bayous to resolve their unfinished business―and perhaps save his soul. But more than one person is out to stop him . . . With dramatic twists and redolent of the mood of the Southern Gothic, The Spirit Photographer conjures the Reconstruction era South, replete with fugitive hunters, voodoo healers, and other dangers lurking in the swamp. Jon Michael Varese’s deftly plotted first novel is an intense tale of death and betrayal that shows us how undeniably the ghosts of the past remain with us, and how resolutely they refuse to be quieted.
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An intricately plotted debut novel that combines post-Civil War history with a ghost story . . . The writing is vivid, even lyrical at times, and the passages on Reconstruction are illuminating. . . . The deep divide in the country circa 1870 is vaguely reminiscent of our own time.
A stunning first novel that combines the thrills of mystery and fantasy with the feel of historical authenticity. Jon Varese makes 19th-century America come alive with an elegant and fluid style. A fine accomplishment.--Bruce Levine, bestselling author of The Fall of the House of Dixie
Through the protagonist Moody we learn of the horrors of Reconstruction and the strength of love. . . .The writing is crisp, and the storytelling keeps a quick pace and helps illuminate the racial inequalities during the Reconstruction period. Varese's debut is . . . an intriguing look at the Reconstruction period through a unique lens.
The Spirit Photographer incorporates elements of magic realism and Southern gothic . . . [and] questions the extent to which photography captures reality or alters perceptions. Readers . . . will find much to investigate and discuss in literary historian Varese's debut novel.
The Spirit Photographer unexpectedly brings race and Southern Gothic to the world of Boston after the Civil War . . . Ghosts of a different kind haunt national memory in this groundbreaking new historical novel.--Susan Gillman, author of Blood Talk: American Race Melodrama and the Culture of the Occult
Jon Michael Varese is a graduate of Swarthmore College and the University of California at Santa Cruz. He is currently the Director of Public Outreach for The Dickens Project, and has lectured and written widely on nineteenth-century literature for several outlets, including the Guardian, San Francisco Chronicle, and the National Endowment for the Humanities. The Spirit Photographer, a story that evolved from his work in nineteenth-century American history, is his first novel.
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