Review:
A fascinating read from one of our greatest comic actresses.--Bernadette Peters, Tony Award-winning actor
MY FIRST HUNDRED YEARS IN SHOW BUSINESS is a sharp and brazenly authentic meditation on the elusiveness of fame and the determination one needs to "just charge ahead" amidst the uncertainty of making it in show business.
Here it is, the dishiest, funniest, chattiest, and most soul-baring theater book of the year. Tony winner Mary Louise Wilson -- forever dubbed "the best thing in it" in review after review -- captures her life and career in this delightful memoir. Pick it up and its slim nature (less than 200 pages) might disappoint. But then you start to read it and realize, "Oh, she only put in the good stuff!"
Thank you MLW for writing this book, if only to confirm for me hi diddly de de the actor's life for me--a life as full of heartache, waiting, and disappointment as it is, for us all, an absolute delight. Learning that it would be the same for the great Mary Louise Wilson is a relief. And for those not in show biz...get ready to read some truth!--Melissa Leo, Academy Award-winning actor
Mary Louise Wilson's writing is like her acting--deft, droll, and full of surprises. Her book is a riot of characters met and characters played, of dreams dashed and dreams fulfilled--a funny, frank, and savvy chronicle of a wonderful life, in the theatre and beyond.--David Hyde Pierce, Tony and Emmy Award-winning actor
The book brims with anecdotes about working with such legendary figures as Bert Lahr, Judy Holliday, Eva LeGallienne and Lotte Lenya, as well as backstage types including, most memorably, an enormous wardrobe mistress...There are plenty of laughs -- after all, her first theater job was to play the Second Dead Lady in a revival of "Our Town" -- but there is plenty of candor, too.
About the Author:
Mary Louise Wilson has acted on and off Broadway and in films and TV for nearly fifty years. Roles include Vera Joseph in 4000 Miles at Lincoln Center (Obie Award), Big Edie in Grey Gardens (Tony Award), Fraulein Schneider in Cabaret (Tony nomination), and Diana Vreeland in Full Gallop (Drama Desk Award). Her writing has appeared in the New Yorker and The New York Times and she teaches acting at Tulane. She lives in upstate New York.
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