Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1920. Not illustrated. Excerpt: ... "That money, my dear, deserves to be treated more seriously. It was earned by a good man, by honest labour." "You have told me that already. I know it." At first we drive through the open country, then through the pine-wood which is visible from my window. Nature seems to me as beautiful as it always has been, though some evil spirit whispers to me that these pines and fir trees, birds, and white clouds on the sky, will not notice my absence when in three or four months I am dead. Katya loves driving, and she is pleased that it is fine weather and that I am sitting beside her. She is in good spirits and does not say harsh things. "You are a very good man, Nikolay Stepanovitch," she says. "You are a rare specimen, and there isn't an actor who would understand how to play you. Me or Mihail Fyodorovitch, for instance, any poor actor could do, but not you. And I envy you, I envy you horribly! Do you know what I stand for? What?" She ponders for a minute, and then asks me: "Nikolay Stepanovitch, I am a negative phenomenon! Yes?" "Yes," I answer. "H'm! what am I to do?" What answer was I to make her? It is easy to say " work," or " give your possessions to the poor," or " know yourself," and because it is so easy to say that, I don't know what to answer. My colleagues when they teach therapeutics advise "the individual study of each separate case." One has but to obey this advice to gain the conviction that the methods recommended in the textbooks as the best and as providing a safe basis for treatment turn out to be quite unsuitable in individual cases. It is just the same in moral ailments. But I must make some answer, and I say: "You have too much free time, my dear; you absolutely must take up some occupation. After all, why shouldn't you be an actress again if it is ...
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