When John Glass’s billionaire father-in-law hires him to write his biography, he feels he can’t refuse. Then his research assistant on the book discovers some very sensitive information about John’s in-laws, and is murdered before he can tell anyone what he knows. John is on his own to find out the young man’s secret, before the murderer finds him.
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Irish-American billionaire William Mulholland has a past in intelligence, but his chief preoccupation has become the organisation he operates with his daughter Louise, the Mulholland Trust. Realising that a forthcoming biography is planning hatchet job on him, Mulholland plans a counter-attack by commissioning the once-influential journalist John Glass (his daughter’s husband) to pen the official biography - which will, inevitably, be far more sympathetic. The researcher employed by Glass, the youthful Dylan Riley, is the eponymous ’lemur’, so called because of his resemblance to that rodent. But Riley begins to uncover more than he should, and attempts blackmail. He is discovered dead.
The vividness of The Lemur is in its rich and loamy panoply of modern Ireland, both similar to and very different from the country that so many of its citizens moved to, the United States. Very different from the earlier Black books, but distinctive and ingenious. --Barry Forshaw
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