Excerpt from Art in America, Vol. 6
But, while accepting the central position of the Madonna, and, in the gold cloth of honor, retaining the tradition Of the throne, Bosch has done everything to deformalize the theme. He gains a familiar quality simply by reducing the scale Of the figures. Instead of the stately Romanesque pavilion of Rogier and Memling, we have a fine ruin of a castle panoramically displayed in the background. The Madonna becomes rustic and housewifely rather than a virginal princess. The three kings become grotesque mimes, true denizens of a fairy tale. The landscape is simplified and in its somewhat bleached tonality suggests actual Observation and velleities of pleiuairisme. In every way it is a compromise between the monu mentality proper to the earlier Burgundian masters and the drastic rusticity which was Bosch's contribution to the new manner. His endeavor seems parallel to the nearly contemporary innovations of Van der Goes and Dirk Bouts and quite independent of them. If I am right in setting this Epiphany no later than 1480, it should be one of Bosch's earliest works.
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Frank Jewett Mather, Jr. (1868-1953) was an American art critic and professor. He was a frequent contributor to New York's Evening Post, The Nation, and Burlington Magazine. His books include "Art in America," "Estimates in Art," and "Concerning Beauty." He was a professor at Williams College and Princeton University. The College Art Association honors Mather with an annual award in his name, given to a writer for distinguished art criticism.
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Paperback. Condition: New. Print on Demand. This book situates Jerome Bosch, a painter whose infamous and fantastic works are beloved by collectors, within a Renaissance art context. Bosch's work earned him widespread fame during his life, despite his mysterious and difficult personality. The author positions Bosch as an artistic outsider, alternately influenced by and alienated from his contemporaries. Exploring Bosch's unique style and subject matter, the author delves into the grotesque and the religious, and emphasizes Bosch's profound influence on the art of the Netherlands, as well as his indelible mark on the history of art itself. Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. The digital edition of all books may be viewed on our website before purchase. print-on-demand item. Seller Inventory # 9781330575062_0
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