Review:
"The "Letters" put Raiders of the Lost Ark in the category of timid and passive inactivity." --"The Courier-Mail"
"In [the letters] we discover India through a woman blessed with unusual vitality and great humanity, a lively eye and a sharp ear. . . . In her exuberant presence we quickly come to see why Forster rated her 'a work of art.'"--Francis Robinson, "History Today"
"Born in a country where caste was life, she had no caste to speak of, and she had no husband worth mentioning in an age when a woman could scarcely survive without one. Yet she survived. . . . Her sharp unsentimental middle-class eyes saw through the vanities of this world." --Katherine Anne Porter, "The New Republic"
"Were she only frank and naive, it would be something, but she is much more: a soul courageous and gallant, an eye and ear always on the watch. . . . Though [her letters] have value historically, their main interest is human: they show us a highly remarkable character, triumphant over the difficulties of life and narrative style." --E. M. Forster
The "Letters" put Raiders of the Lost Ark in the category of timid and passive inactivity. "The Courier-Mail"
In [the letters] we discover India through a woman blessed with unusual vitality and great humanity, a lively eye and a sharp ear. . . . In her exuberant presence we quickly come to see why Forster rated her a work of art.'" Francis Robinson, "History Today"
Born in a country where caste was life, she had no caste to speak of, and she had no husband worth mentioning in an age when a woman could scarcely survive without one. Yet she survived. . . . Her sharp unsentimental middle-class eyes saw through the vanities of this world. Katherine Anne Porter, "The New Republic"
Were she only frank and naive, it would be something, but she is much more: a soul courageous and gallant, an eye and ear always on the watch. . . . Though [her letters] have value historically, their main interest is human: they show us a highly remarkable character, triumphant over the difficulties of life and narrative style. E. M. Forster"
From the Back Cover:
In 1925, the year after his novel A Passage to India first appeared, E.M. Forster introduced the 'tremendous', 'prepotent' Eliza Fay to an astonished public.Now she is reintroduced to us in all her glory by M, M. Kaye, whose Far Pavilions has delighted so many lovers of the East.
Eliza Fay originally set sail for the dusty streets of Madras and Calcutta in 1779 with her husband, a lawyer. Theirs was not an auspicious passage and - oh Terrible Fate! - Hyder Ali threw then into gaol on arrival. This was only the start of a series of adventures spanning forty years in Europe and Asia, across the seas to the Untied States - and, constantly, back to her beloved India.
From the beginning, Eliza took to her pen with hilarious gusto, unusual sympathy and telling eye; hers are provocative impressions of male insensitivity and female fortitude, of the British abroad, in all their stupidity and triumph. She is, as Forster says, 'A work of art'.
Eliza Fay (1756 - 1816) was a scamstress, teacher and luckless merchant. Her splendid letters, never before paperbacked, appeared first in India in 1817 and were edited for British publication by E. M. Forster over a century later.
"About this title" may belong to another edition of this title.