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Bringing Heaven to Earth: Silver Jewellery and Ornament in the Late Qing Dynasty - Softcover

 
9780995557703: Bringing Heaven to Earth: Silver Jewellery and Ornament in the Late Qing Dynasty

Synopsis

Shining a light on a little-known area of Chinese decorative arts from 1850 to 1930, this lavishly illustrated book presents dazzling jewellery from an important private North American collection.

Immortals, dragons, magpies, monkeys and bats populate this pioneering book on Chinese jewellery of the late 19th to early 20th century. In so many aspects, these exquisite objects – made with silver, jade, tourmaline, amethyst, rock crystal, rose quartz, carnelian and serpentine – reveal a previously unexplored journey, not just from Heaven to Earth but from the West to the East and back again.

The appeal of the jewellery is more than just aesthetic, and their varied design and decoration speak of the social, religious, economic and political climate of their time. Their period of production, from the Late Qing dynasty through to the 1930s, is one that has been insufficiently explored by historians as a whole. This was the time when the Treaty Ports attracted foreign residence and tourism, when Western visitors flocked to Shanghai and Peking to buy ‘Chinese’ souvenirs, and when fashionable young Chinese of the Republican period embraced aspects of foreign life and design. Many of the pieces naturally reflect Chinese designs and motifs, particularly in the bold association of colours, their use of ‘re-purposed’ carved plaques and the emphasis on luck-bearing emblems. Western influence creeps in, however, in the form of secure box-and-tongue clasps and the occasional maker’s or retailer’s names, as well as stamps such as ‘Chinese sterling’. Do these makers’ marks suggest that the items were produced for export or do they simply represent a nod to modernity?

In the many fine photographs and her detailed descriptions of each piece, Elizabeth Herridge offers a full survey of the wide variety of the complex motifs involved and their significance. She presents a groundbreaking contribution to our understanding of early 20th-century China, its handicraft production, its commercial activities, and the last gasp of items such as mandarin court necklaces in the face of modern fashions.

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Review

A beautifully designed book with a wealth of material ... enjoyable strictly for the beautiful photography, but also for anyone with a serious interest in Chinese jewellery. --Textile Research Centre

Commendable and useful ... the story of jewellery is never just about personal adornment." --Jewelley History Today

''Ultimately, Herridge ... expertly begins to unwind the complicated histories of the collection. --National Jeweler

About the Author

Elizabeth Herridge is the former Managing Director of the Guggenheim Hermitage Museum, Las Vegas. A veteran of Wall Street, she operates a London based specialist art and arts management consultancy (elizabeth-herridge.com). She is a graduate of Wellesley College, SOAS, the Getty Leadership Institute (MLI) and a specialist in Qing Dynasty decorative arts.

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Paperback. Condition: new. Paperback. The prowess of Chinese creative abilities in the decorative arts in the 19th and early 20th centuries was well known globally, but, while much has been written about Chinese textiles and on the influence of the East on European styles of the time, the story of the influence of Western formats and tastes on the manufacture of Chinese jewellery in the period has, amazingly, never been told. In examining 50 objects of exatraordinary quality from an important private North American collection, this book seeks to redress the situation and reveal the splendour of silver and silver-gilt jewellery of the late Qing dynasty. An ancient and sophisticated culture, the Chinese - who have since records begun made up about a quarter of world's population - had almost everything they could need or want within their own borders .except for silver. The metal had long cultural, commercial and governmental associations but had to be imported largely from South America, after both national and Japanese reserves were quickly exhausted by huge Chinese demand.Beginning in the mid 19th century - where the story told here begins - after two successive defeats in the Opium Wars, sixteen treaty ports were established on coastal and inland cities, enabling Western merchants freer movement and trade with the Chinese. The 50 pieces of jewellery and ornament presented here have been beautifully photographed and carefully documented. In superb unrestored condition, the objects incorporate exotic materials like tiger-shark teeth, teak wood, amber, precious and semi-precious stones from India and Sri Lanka, enamel, as well as finely carved and pierced nephrite, jadeite and lapis lazuli. Daoist imagery and motifs dominate but with the inclusion of some surprising Buddhist imagery as well. Though not from the imperial collection of the Qing, these exquisite pieces were seemingly commissioned and worn by prosperous members of the society from all over the vast country. The differences in manufacture, even in this varied sample of 50 items, is striking. Their appeal is more than just aesthetic, and their design and decoration speak of the social, religious, economic and political climate of their time.Questions regarding the sale and consumption of these object are discussed, and changing local and foreign tastes in the wake of the fall of the Qing dynasty and the establishment of the Republican period are also addressed. A groundbreaking study of a little-known and virtually undocumented area of the Chinese decorative arts from 1850 to 1930. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780995557703

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