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Anthony Caro: First Drawings Last Sculptures - Softcover

 
9780988618893: Anthony Caro: First Drawings Last Sculptures

Synopsis

Widely recognized as one of the most significant sculptors of the 20th century, Anthony Caro (1924-2013) rose to prominence in the 1960s with imposing painted steel sculptures. This catalog features work spanning the British artist's six-decade career.

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About the Author

Anthony Caro played a pivotal role in the development of twentieth‐century sculpture. After studying sculpture at the Royal Academy Schools in London, he worked as assistant to Henry Moore. He came to public attention with a show at the Whitechapel Gallery in 1963, where he exhibited large abstract sculptures brightly painted and standing directly on the ground so that they engaged the spectator on a one‐to‐one basis. This was a radical departure from the way sculpture had hitherto been seen and paved the way for future developments in three‐dimensional art.

Toby Glanville s photography is featured in numerous publications, including Family (Phaidon, 2005), Actual Life (2003), Then Things Went Quiet (2003) and The Lebanese Kitchen (Phaidon, 2012). Collections in which his work is held include the Victoria & Albert Museum, the British Council, British Land, the Bruce Bernard Collection and the National Portrait Gallery, London.

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  • PublisherMitchell-Innes & Nash
  • Publication date2018
  • ISBN 10 0988618893
  • ISBN 13 9780988618893
  • BindingPaperback
  • Number of pages76

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9782353400409: Anthony Caro

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ISBN 10:  235340040X ISBN 13:  9782353400409
Publisher: Gourcuff Gradenigo, 2009
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Caro, Anthony and Julius Bryant
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Softcover. Condition: New in shrinkwrap. Color-illus., oblong wraps; white lettering on red spine; French flaps. 75 pp. with color and bw images throughout. Catalogue from the gallery show held December 2016 to February 2017. "These colorful steel and Plexiglas sculptures weredisplayed alongside equally colorful brush, ink, and paint works on newsprint. In these little known works on paper, black outlines of figures are filled in with blocks of color like stained-glass windows. Despite having been created more than 50 years apart, the formal and conceptual link between the colored works on paper from the 1950s and the recent Plexiglas sculptures is undeniable." - from the publisher's web site. Essay by Julius Bryant. Seller Inventory # 163614

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