Cult Cinema offers a reading of the film measuring it against the decade’s more celebrated films, Paul Outhwaite presenting its themes in a cultural context and exploring how its ideas offer a criticism of 1970s America and the failed ideals of the counterculture. It looks at how the film is underpinned by the two main characters, Kit Carruthers and Holly Sargis, searching for meaning and identity, leading to an original contemporary reading of the film in an age when the cult of celebrity dominates.
This engaging interpretation journeys through the narrative, connecting it to the true crimes on which Badlands is based, the iconography of James Dean, the alienation permeating New Hollywood’s output and the imagery of Americana. Outhwaite adeptly links 1950s and 1970s society in cultural and political terms and shows how Badlands relates to both eras. In this, the book also explores connections with other films such as Rebel Without A Cause, The Sadist, Easy Rider and Vanishing Point.
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