This book takes an in-depth look at the roots of musical styles, asking pertinent questions ... [Alex Robertson] deals with many and varied musical issues ... He destroys the "classic delusion" that classical music is essentially rooted in godliness (based on the myth of the nobility of man) and questions the spirituality of numerous "Christian" composers ... Alex has some revealing thoughts about praise and worship. He emphasises the difference between the presence of God and "setting up an atmosphere" which he knows from experience "is not difficult at all". Worship, he insists, is essentially about "submission, consecration and sacrifice". He explores New Age music and also gives a lengthy chapter on image and myth and their relation to music. This requires careful reading, examining as it does the very foundations of modern Western culture. Often the book reads like a "Confessions Of A Professional Musician", as in true humility Alex gives repeated instances of his own wrong motives and goals, both before and after becoming a Christian. Alex had to be broken by God, broken from serving music as a god, to being totally given over to the one and only true Lord. This is the essential message - the independent spirit in which one pursues self and success simply must be broken and laid at the foot of the cross, never to be taken up again. A fascinating book, which profoundly challenged me. I thoroughly recommend it. --Tom Lennie, Cross Rhythms, June/July 1999
This book really is a must for all those in church leadership and especially those who are musicians. --George Laffey, Direction, November 1998 - Book of the Month
Much to say which badly needs saying about lifestyle and discipleship among worship leaders, and it has some useful analysis of the way culture is going and the ease with which the church can go along. --John Leach, Worship Together, January/February 1998
Music is power ... power to influence and inspire, or to manipulate and control. It can be a wonderful means of expression, or a potent and addictive drug. This book is about the use and abuse of that power. It is timely, because Christianity today stands at a crossroads with regard to music. Some welcome and joyfully promote the arrival of new styles and sounds into Christian worship. Others feel strongly that the church is compromising with the world when it should be standing against it. Many are just confused.
There are questions that demand answers: What is the reason for the "music explosion" in society today? Why does music affect us so powerfully? What is God's purpose for music? What is the devil's purpose for music? What makes the difference between the use and the abuse of music?
These and many other issues are dealt with in this wide-ranging and stimulating book. Controversial and outspoken, yet balanced and constructive, this is a book to provoke thought, prayer and change.