An important topic in the study of Chinese culture, past or present, is that of the "boundary". In this book the authors investigate the meaning of the boundary as metaphor and paradox, as threshold and interface across the whole spectrum of Chinese art and society. The essays range from early politics and society to contemporary public and private discourse; from the creation of a literary canon to the positioning of individuals in dynastic time; from the sacred spaces of medieval Buddhism to the public spaces in today's Peking Opera; and from the obsessive construction of an afterlife in the tombs of the 1st century AD to the intangible surfaces of self in 14th-century painting.
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Review:
'In these essays the reader will encounter some of the most sophisticated contemporary scholarship on Chinese art - unafraid to grapple with big issues ... Taken together, the essays have an ambitious reach. They don't in any sense form "a coherent whole", since most of the authors are explicitly suspicious of such attempts to wrap everything up neatly ... the material in the book, and the force with which its arguments are put, are hard to ignore. They demand serious engagement from all who are interested in going beyond the simple labeling of cultural phenomena, to understanding how those labels are generated, and who has the power to make them stick.' - Orientations
About the Author:
John Hay is Professor of Art History at the University of California, Santa Cruz.
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- PublisherReaktion Books
- Publication date1995
- ISBN 10 094846237X
- ISBN 13 9780948462375
- BindingHardcover
- Number of pages254