Review:
"The art of ancient Peru is spectacular, and of all the beautiful Central Andean styles, Nasca pottery is without peer. In this comprehensive volume Donald Proulx, the leading authority on Nasca ceramic iconography, presents his definitive statement on this extraordinary art through sound scholarship and a cautious, rigorous, and carefully explained methodology. The volume excels for its detailed description of the Nasca ceramic style (forms, iconography, phases), stimulating interpretation of the iconography, penetrating linkage of the pots and their iconography to the archaeologically known Nasca society, and diachronic treatment of the evolution of Nasca art and society. This will be a foundational text for many decades of future research."---Helaine Silverman, Department of Anthropology, University of Illinois at Urbana-Champaign The art of ancient Peru is spectacular, and of all the beautiful Central Andean styles, Nasca pottery is without peer. In this comprehensive volume Donald Proulx, the leading authority on Nasca ceramic iconography, presents his definitive statement on this extraordinary art through sound scholarship and a cautious, rigorous, and carefully explained methodology. The volume excels for its detailed description of the Nasca ceramic style (forms, iconography, phases), stimulating interpretation of the iconography, penetrating linkage of the pots and their iconography to the archaeologically known Nasca society, and diachronic treatment of the evolution of Nasca art and society. This will be a foundational text for many decades of future research. ---Helaine Silverman, Department of Anthropology, University of Illinois at Urbana-Champaign"
About the Author:
Donald Proulx became fascinated by Nasca pottery forty-five years ago, when he was a student hired to catalog a collection of Peruvian artifacts. Over the years, although his research expanded to include site surveys and settlement pattern studies, he never lost his passion for Nasca ceramics. He has written extensively on all facets of Nasca culture, including Local Differences and Time Differences in Nasca Pottery, Nasca Gravelots in the Uhle Collection from the Ica Valley, and (with Helaine Silverman) The Nasca. He is professor of anthropology emeritus, University of Massachusetts at Amherst.
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