Items related to A Small Place
From the author of AT THE BOTTOM OF THE RIVER and ANNIE JOHN, a novel set in Antigua, where the idyllic tourist facade hides a colonial legacy of corruption, remedial social investment, and disenfranchised local culture. First published in 1988.
"synopsis" may belong to another edition of this title.
Review:
"Ms. Kincaid writes with passion and conviction . . . [with] a poet's understanding of how politics and history, private and public events, overlap and blur."--" The New York Times"
"A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled."--Salman Rushdie
"A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her."--"Los Angeles Times Book Review"
"Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones."--"""San Francisco Chronicle"
"This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit."--"The Atlanta Journal-Constitution"
"Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks."--"The Philadelphia Inquirer"
About the Author:
"A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled."--Salman Rushdie
"A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her."--"Los Angeles Times Book Review"
"Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones."--"""San Francisco Chronicle"
"This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit."--"The Atlanta Journal-Constitution"
"Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks."--"The Philadelphia Inquirer"
"Ms. Kincaid writes with passion and conviction . . . [with] a poet's understanding of how politics and history, private and public events, overlap and blur." --"The New York Times"
"A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled." --"Salman Rushdie"
"A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her." --"Los Angeles Times Book Review"
"Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones." --"San Francisco Chronicle"
"This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit." --"The Atlanta Journal-Constitution"
"Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks." --"The Philadelphia Inquirer"
Ms. Kincaid writes with passion and conviction . . . [with] a poet's understanding of how politics and history, private and public events, overlap and blur. "The New York Times"
A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled. "Salman Rushdie"
A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her. "Los Angeles Times Book Review"
Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones. "San Francisco Chronicle"
This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit. "The Atlanta Journal-Constitution"
Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks. "The Philadelphia Inquirer""
Ms. Kincaid writes with passion and conviction . . . [with] a poet's understanding of how politics and history, private and public events, overlap and blur. The New York Times
A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled. Salman Rushdie
A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her. Los Angeles Times Book Review
Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones. San Francisco Chronicle
This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit. The Atlanta Journal-Constitution
Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks. The Philadelphia Inquirer
""Ms. Kincaid writes with passion and conviction . . . [with] a poet's understanding of how politics and history, private and public events, overlap and blur." --The New York Times
"A jeremiad of great clarity and force that one might have called torrential were the language not so finely controlled." --Salman Rushdie
"A rich and evocative prose that is also both urgent and poetic . . . Kincaid is a witness to what is happening in our West Indian back yards. And I trust her." --Los Angeles Times Book Review
"Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker--and hollower--ones." --San Francisco Chronicle
"This is truth, beautifully and powerfully stated . . . In truly lyrical language that makes you read aloud, [Kincaid] takes you from the dizzying blue of the Caribbean to the sewage of hotels and clubs where black Antiguans are only allowed to work . . . Truth, wisdom, insight, outrage, and cutting wit." --The Atlanta Journal-Constitution
"Wonderful reading . . . Tells more about the Caribbean in 80 pages than all the guidebooks." --The Philadelphia Inquirer
Jamaica Kincaid was born in St. Johns, Antigua. Her books include At the Bottom of the River, Annie John, Lucy, The Autobiography of My Mother, and My Brother (all published by FSG). She lives with her family in Vermont.
"About this title" may belong to another edition of this title.
- PublisherVirago Press Ltd
- Publication date2000
- ISBN 10 0860682196
- ISBN 13 9780860682196
- BindingHardcover
- Number of pages96
- Rating
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