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Book Description Condition: New. Brand New. Seller Inventory # 9780838638583
Book Description Hardcover. Condition: new. Seller Inventory # 9780838638583
Book Description Condition: New. Num Pages: 227 pages, bibliography, index. BIC Classification: AVGC9. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 241 x 163 x 20. Weight in Grams: 526. . 2000. hardcover. . . . . Seller Inventory # V9780838638583
Book Description Condition: New. Seller Inventory # 4992580-n
Book Description Hardcover. Condition: new. Hardcover. This work examines the development of representations of selfhood in opera in the modern period. It shows how notions of subjectivity current in various theories of modernism apply to operas, especially those which were directly or indirectly influenced by Wagner. These analyses reveal that operas may employ notions of subjectivity in various ways: as embedded in a religious context, as social critique, or as a critique of individualism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780838638583
Book Description Condition: New. Num Pages: 227 pages, bibliography, index. BIC Classification: AVGC9. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 241 x 163 x 20. Weight in Grams: 526. . 2000. hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9780838638583