In this important work, Frances Colpitt chronicles the Minimal art movement of the 1960s. Maintaining the original spirit of the period--enthusiasm for innovation and a passionate commitment to intellectual inquiry--Colpitt provides an excellent documentary history that is both thorough and nonpartisan.
Using a metacritical approach that embraces critical writings of the artists themselves, interviews by herself and the others, and a generous sampling of illustrations, Colpitt sets foth the issues and arguments and identifies key concepts that are crucial to an understanding of Minimal art. These include the frequent use of industrial materials and techniques; nonrelational principles of composition; and theoretical issues of scale, presence and thatricality. Also discussed are issues of abstraction, illusion, and reductionism as revealed in the writing and artistic productions of such leading innovators as Frank Stella, Donald Judd, and Robert Morris, among others. An appendix lists major exhibitions and reviews.
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Arguably the most intelligent and complete study of this subject ever published.
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Book Description Condition: Good. Authorised facsimile. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-C-039-00073
Book Description Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. Text and images are unmarked; pages are bright. Binding has a backwards lean. Dust jacket shows some light wear around the edges. 270pp. Seller Inventory # 065923
Book Description Hardcover. Condition: Good. xii, 270pp. (Studies in the Fine Arts: Criticism, 34.). Seller Inventory # 9929