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On the Nature of Marx's Things: Translation as Necrophilology (Lit Z) - Hardcover

 
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On the Nature of Marx’s Things traces to Marx’s earliest writings on the Epicurean tradition a subterranean, Lucretian practice that Lezra calls necrophilological translation. “Translation” here is extensively used, and covers practices that put different natural and national languages into relation, often across periods; but also practices or mechanisms internal to each language. Obscured by later critical attention to the contradictory lexicons―of fetishism and of chrematistics―that Capital uses to describe how value accrues to commodities, and by the dialectical approach that’s framed Marx’s work since Engels sought to marry it to the natural philosophy of his time, necrophilological translation has a troubling, definitive influence in Marx’s thought and in his wake. It entails a radical revision of what counts as translation, and wholly new ways of imagining what an “object” is; “matter;” “value;” “sovereignty;” “mediation;” and “number.” In On the Nature of Marx’s Things a materialism “of the encounter,” as recent criticism in the vein of the late Althusser calls it, encounters Marxological value-form theory; the development of so-called divisible sovereignty in post-Schmittian political philosophy; Meillassoux’s critique of correlationism; the resurgence of humanism in object-oriented-ontologies; and philosophies of translation and untranslatability in debt to Quine, Cassin, and Derrida. Marx through Lucretius; through Spinoza’s marranismo; through his translators. Freud’s account of the agency of the unconscious, through Schiller’s Don Karlos; Adorno’s exilic antihumanism, against Said’s cosmopolitan humanism; the absolutization of what is not-one, in Badiou, Meillassoux and Freud through Donne and Neruda: “Lezra,” writes Vittorio Morfino in his preface, “transfers all of the power of the Althusserian encounter into his conception of translation: translation is never simple, and in every translation a multiplicity of mediations come into play, without which these mediations would be guaranteed by a telos.”

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“The project of returning ‘Marxist logic’ to a materialist and pragmatic approach has been underway for some years now. Jacques Lezra, plunging into this logic’s deepest reaches, discovers there a ‘language of things,’ exactly as in Lucretius; but also a language of singularities, as in Spinoza; and of differences, marshaled against the possibility of any system of general equivalences. What he calls ‘necrophilology’ intervenes wherever such systems would reinstall the fetishes of humanism to the heights from which they’ve been cast―as a rupture, a break. Is Lezra proposing an ontology? The word is heavy, but recalling Lucretius and Spinoza in this way certainly lightens its weight, and makes ontology powerfully viable for, and by means of, the critique of contemporary capitalism.“ Author: Antonio Negri
From the Author:
Jacques Lezra (Author)
Jacques Lezra is Professor and Chair of Hispanic Studies at the University of California, Riverside. His books include Untranslating Machines: A Genealogy for the Ends of Global Thought; Wild Materialism: The Ethic of Terror and the Modern Republic (translated into Spanish and Chinese); and Unspeakable Subjects: The Genealogy of the Event in Early Modern Europe. With Emily Apter and Michael Wood, he is the co-editor of Barbara Cassin's Dictionary of Untranslatables.

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  • PublisherFordham University Press
  • Publication date2018
  • ISBN 10 0823279421
  • ISBN 13 9780823279425
  • BindingHardcover
  • Edition number1
  • Number of pages288

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