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Book Description Hardcover. Condition: new. This item is printed on demand. Seller Inventory # 9780823222797
Book Description Condition: New. Seller Inventory # ABLING22Oct1916240264251
Book Description Condition: New. Seller Inventory # 1727504-n
Book Description Condition: New. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Series: Communications & Media Studies. Num Pages: 211 pages, black & white illustrations. BIC Classification: APFA; AVGC4; JFD. Category: (G) General (US: Trade); (P) Professional & Vocational; (UF) Further/Higher Education; (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 157 x 23. Weight in Grams: 449. . 2003. Hardback. . . . . Seller Inventory # V9780823222797
Book Description Condition: New. Seller Inventory # 1727504-n
Book Description Condition: New. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to H. Seller Inventory # 867679111
Book Description Condition: New. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Series: Communications & Media Studies. Num Pages: 211 pages, black & white illustrations. BIC Classification: APFA; AVGC4; JFD. Category: (G) General (US: Trade); (P) Professional & Vocational; (UF) Further/Higher Education; (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 157 x 23. Weight in Grams: 449. . 2003. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780823222797
Book Description Hardcover. Condition: new. Hardcover. From Chaplin's brilliant use of Wagner in "The Gold Rush" to the Bach chorale closing Scorsese's "Casino", classical music has played a fascinating role in movies. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology and cultural criticism, he clarifies the connections between two very different art forms. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780823222797