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Charms That Soothe: Classical Music and the Narrative Film (Communication and Media Studies) (Communications and Media Studies) - Hardcover

 
9780823222797: Charms That Soothe: Classical Music and the Narrative Film (Communication and Media Studies) (Communications and Media Studies)
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From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms.

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Review:
"Illuminating . . . original and provocative . . . in the vanguard of film music scholarship."----Kathryn Kalinak "Author of Settling the Score: Classical Music and the Hollywood Film "
About the Author:
Dean Duncan is Associate Professor in the Department of Theatre and Film at Brigham Young University.

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  • PublisherFordham University Press
  • Publication date2003
  • ISBN 10 0823222799
  • ISBN 13 9780823222797
  • BindingHardcover
  • Edition number1
  • Number of pages211
  • Rating

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9780823222803: Charms that Soothe: Classical Music and the Narrative Film (Communications and Media Studies)

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Book Description Condition: New. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Series: Communications & Media Studies. Num Pages: 211 pages, black & white illustrations. BIC Classification: APFA; AVGC4; JFD. Category: (G) General (US: Trade); (P) Professional & Vocational; (UF) Further/Higher Education; (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 157 x 23. Weight in Grams: 449. . 2003. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780823222797

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Book Description Hardcover. Condition: new. Hardcover. From Chaplin's brilliant use of Wagner in "The Gold Rush" to the Bach chorale closing Scorsese's "Casino", classical music has played a fascinating role in movies. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology and cultural criticism, he clarifies the connections between two very different art forms. Dean Duncan provides a critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, he examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780823222797

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