Review:
"Sarah Gordon has been steeped in O'Connor criticism for decades, and every serious reader of O'Connor will want to own her insightful book."--Marshall Bruce Gentry, author of "Flannery O' Connor's Religion of the Grotesque"
"This study will be definitive for years to come; it is deeply learned in the life and writings as well as in all aspects of O'Connor scholarship, broad in its sympathy for O'Connor's grounding in Catholic theology, and yet also clear-minded in its insistence on the legitimacy of a range of responses to the fiction. We have needed such a wise, broad-based, and deeply informed evaluation of this important writer for a long time."--Louise Westling, author of "The Green Breast of the New World: Landscape, Gender, and American Fiction"
"First-time readers as well as life-long scholars of Flannery O'Connor's fiction will discover bold and urgent commentary in Gordon's "The Obedient Imagination", and this archival study--this water table of biography and literary criticism--should be a welcome addition both to personal and to university libraries."--"American Literature"
"[P]rovides insightful readings of individual texts and so will play significant roles in the ongoing assessment of O'Conner's work."--Joseph M. Flora, "Southern Literary Journal"
"A terrific book to read. In her engagement with the work of previous critics and interpreters of O'Connor's fiction, Gordon is fair and generous, never dismissive of those with whom she disagrees and respectful of those to whom she owes critical debts. . . . "Flannery O'Connor: The Obedient Imagination" stands as proof of the power of a writer--Flannery O'Connor--and of one reader's career-long encounter with both that writer's works and the critics who have both then and now given shape to them."--"Mississippi Quarterly"
"A superb, important book, a landmark study of this enduring artist. O'Connor, with her usual skepticism, believed that it would take 100 years for her work to be properly understood. Thanks to Sarah Gordon, who began her heroic labors shortly after the novelist's death in 1964, it has taken only thirty-six."--"Atlanta Journal-Constitution"
"A must-read for its undaunted exploration of critical questions most O'Connor scholars evade rather than plumb, including O'Connor's possible racism, quasi-Manichaeanism, ambivalent depictions of women, denigration of human relationships, and creative grappling with the expectations of patriarchy."--"Virginia Quarterly Review"
About the Author:
Sarah Gordon is a professor of English at Georgia College & State University in Milledgeville, Georgia. She has chaired her university's internationally renowned symposia on O'Connor and has been editor of the Flannery O'Connor Bulletin since 1983. Gordon is also editor of the book Flannery O'Connor: In Celebration of Genius.
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