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The Holy Profane: Religion in Black Popular Music - Softcover

 
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The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African American artists as diverse as Rosetta Tharpe, Sam Cooke, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, and Tupac Shakur. Analyzing lyrics and the historical contexts that shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles ranging from blues, rhythm and blues, soul, funk, and gangsta rap.

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Review:
Well told and full of strong anecdotes, Reed's book is a fine example of how the study of popular culture can be informed by the study of religion. - Publishers Weekly; ""Her treatment is, of necessity, multi-disciplinary, providing data and challenging ideas that will attract the attention of individuals well past the fans of pop culture."" - Choice
About the Author:
Teresa L. Reed is associate professor of music and director of the African American Studies Program at Tulsa University. She spent her childhood surrounded by the music of the black Pentecostal church.

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Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Explores the strong presence of religion in the secular music of 20th-century African Americans. Analyzing lyrics and the historical contexts that shaped them, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles ranging from blues to gangsta rap. Seller Inventory # B9780813190921

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