Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family's Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter's abilities.
But their burgeoning relationship is interrupted when Alessandra's parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola's reactionary followers. Played out against this turbulent backdrop, Alessandra's married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art."synopsis" may belong to another edition of this title.
The Birth of Venus is all the more fascinating a historical novel for the author's inability to make up her mind what it is about. Is it a novel about the limited choices available to a woman with talent in Renaissance Florence--marriage or the convent? Or is it a novel about the choices you make to survive in a totalitarian society? As Savonarola takes Florence closer and closer to being an ascetic theocracy, Alessandra, her gay brother and his lover whom she has married for mutual protection find themselves in more and more peril. It could also be a detective story--Allesandra is in love with a painter whose religious mania and fascination with the body makes him a plausible suspect for a series of killings and dismemberments. Some historical novels wear their research too heavily--Dunant's is light, fluent and pacy, but her fascination with the possibilities revealed by research leaves her failing to make choices.
The Birth of Venus is a highly intelligent novel kept from incoherence mostly by the intensely imagined Alessandra, through whose eyes we see the tragic end of a key moment in human culture and whose lively sensibility constantly sparks ideas about art and her time. --Roz Kaveney
"Simply amazing, so brilliantly written...almost intolerably exciting at times, and at others, equally poignant."
-Antonia Fraser
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