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Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology (Northwestern University Studies in Phenomenology and Existential Philosophy) - Softcover
The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In <em>Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology and Ontology,</em> Véronique M. Fóti addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of <em>Le visible et l’invisible (The Visible and the Invisible)</em>. <br><br>With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy.
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About the Author:
<strong>Véronique M. Fóti</strong> is a professor of philosophy at the Pennsylvania State University, USA. She is the author of <em>Epochal Discordance: Hölderlin’s Philosophy of Tragedy</em> (2006), <em>Vision’s Invisibles: Philosophical Explorations</em> (2003), and <em>Heidegger and the Poets: Poiesis, Sophia, Techne</em> (1995), and the editor of <em>Merleau-Ponty: Difference, Materiality, Painting</em> (1996).
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- PublisherNorthwestern University Press
- Publication date2013
- ISBN 10 0810129000
- ISBN 13 9780810129009
- BindingPaperback
- Number of pages132
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Book Description Paperback. Condition: new. Paperback. The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Pontys career, The phenomenology of perception fulfills itself as a philosophy of expression. In Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology and Ontology, Veronique M. Foti addresses the guiding yet neglected theme of expression in Merleau-Pontys thought. She traces Merleau-Pontys ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the new biology in the second of his lecture courses on nature of 195758, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et linvisible (The Visible and the Invisible). With the exception of a discussion of Merleau-Pontys 1945 essay Cezannes Doubt, Foti engages with Merleau-Pontys late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Pontys thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty's career, "The phenomenology of perception fulfills itself as a philosophy of expression." In Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, Veronique M. Foti addresses the guiding yet neglected theme of expression in Merleau-Ponty's thought. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780810129009
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