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Pierre: Volume Seven, Scholarly Edition (Melville) - Hardcover

 
9780810102668: Pierre: Volume Seven, Scholarly Edition (Melville)

Synopsis

Initially dismissed as "a dead failure" and "a bad book," and declined by Melville's British publisher, Pierre, or The Ambiguities has since struck critics as modern in its psychological probings and literary technique--fit, as Carl Van Vechten said in 1922, to be ranked with The Golden Bowl, Women in Love, and Ulysses. None of Melville's other "secondary" works has so regularly been acknowledged by its most thorough critics as a work of genuine grandeur, however flawed. This scholarly edition aims to present a text as close to the author's intention as the surviving evidence permits. Based on collations of the two issues and the two impressions of the single edition publishing in Melville's lifetime, it incorporates necessary emendations made by the series editors. This text of Pierre is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).

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From the Back Cover

"Ambiguities indeed! One long brain-muddling, soulbewildering ambiguity (to borrow Mr. Melville's style), like Melchisedeck without beginning or end - a labyrinth without a clue - an Irish bog without so much as a Jack o' th'-lantern to guide the wanderer's footsteps - the dream of a distempered stomach, disordered by a hasty supper on half-cooked pork chops". So judged the New York Herald when Pierre was first published in 1852, with most contemporary reviewers joining in the general condemnation: "a dead failure", "this crazy rigmarole", and "a literary mare's nest". Latter-day critics have recognized in the story of Melville's idealistic young hero a corrosive satire of the sentimental-Gothic novel, and a revolutionary foray into modernist literary techniques. As William Spengemann writes in his introduction to this edition, "For anyone who, being aware of the culture of modernity, is curious about its origins, Pierre ranks with Coleridge's 'Rime of the Ancient Mariner, ' Carlyle's Sartor Resartus, Hawthorne's Scarlet Letter, and the poems of Emily Dickinson as one of the privileged places where the dead past can be seen giving way inexorably to the living present".

About the Author

Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, essayist, and poet. He is best known for his novel Moby-Dick. His first three books gained much contemporary attention (the first, Typee, becoming a bestseller), and after a fast-blooming literary success in the late 1840s, his popularity declined precipitously in the mid-1850s and never recovered during his lifetime. When he died in 1891, he was almost completely forgotten. It was not until the "Melville Revival" in the early 20th century that his work won recognition, especially Moby-Dick, which was hailed as one of the literary masterpieces of both American and world literature. He was the first writer to have his works collected and published by the Library of America.

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Hardcover. Condition: Good. Initially dismissed as "a dead failure" and "a bad book," and declined by Melville's British publisher, Pierre, or The Ambiguities has since struck critics as modern in its psychological probings and literary technique--fit, as Carl Van Vechten said in 1922, to be ranked with The Golden Bowl, Women in Love, and Ulysses. None of Melville's other "secondary" works has so regularly been acknowledged by its most thorough critics as a work of genuine grandeur, however flawed.This scholarly edition aims to present a text as close to the author's intention as the surviving evidence permits. Based on collations of the two issues and the two impressions of the single edition publishing in Melville's lifetime, it incorporates necessary emendations made by the series editors. This text of Pierre is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America). Seller Inventory # AMPLE0810102668

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