Extremely valuable as a personal testimony of [Keshavarz's] own experiences growing up in Iran and provides a counterbalance to Nafisi's dark portrayal of her life in Iran. . . . Important . . . because of its active participation in the debate about how Western views of Middle Eastern countries are colored by prejudice and stereotyping.--
Middle East Journal Introduces . . . Iranian women writers, with infectious enthusiasm, to western readers. . . . Suffused with references to pomegranates, fragrant gardens, Sufi mysticisim, and tender father-daughter relationships . . . [
Jasmine and Stars] exude[s] . . . charm.--
MELUS Those interested in extended analysis of Nafisi's work will be interested in this book, especially the last section dedicated exclusively to
RLT.--
MESA Bulletin Draws from her own rich experiences and illustrates wonderfully rich portraits of her family and close friends. . . . Assures readers that every word is wholly heartfelt and sincere.--
Arab American News Eye opening. . . . Keshavarz gives a rare glimpse into post-revolutionary Iran, showing that while there are a host of political problems and unresolved social issues, still literature, culture and Iranians' love of life and beauty are alive and well.--
The Jordan Times A balanced, objective perspective on Iran, a perspective that provides nuanced depth and humanity. . . . A great read. --
People's Weekly World Narrated in a very engaging and evocative style, embellished with poetic force. This personal story is told in a direct narrative form which transcends the boundaries of telling and showing.--
Muslim World Book Review It is not necessary to have read
Reading Lolita in Tehran to appreciate the thrust of [Keshavarz's] argument, which challenges the popular notion that Iran is an oppressive, joyless, intellectually stagnant place, particularly for women. . . . Controversial, certainly, but an excellent counterpoint for book-group discussions of Nafisi's book.--
Booklist Introduces ordinary Iranians and a universal spirit we all share.--
Washington University in St.Louis Magazine
In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the 'New Orientalist narrative', which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran.Keshavarz offers a lively critique of the best-seller "Reading Lolita in Tehran", which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity.