Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey (Cultural Studies of the United States) - Softcover

Foulkes, Julia L.

Softcover

ISBN 10: 0807853674 ISBN 13: 9780807853672

Publisher: University North Carolina Pr, 2002

Synopsis

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America" Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.

About this title

Review

"Julia L. Foulkes' "Modern Bodies sheds new light on the rise and fall of 'historic' modern dance. Some of her conclusions are bound to stir controversy. But her idea that modern dance of the 1930s and 1940s embodied the aspirations of a democratic polity that included African Americans, gay men, and self-styled 'revolutionary' dancers of the left adds complexity to a history too often defined solely in terms of heroines and artistic giants. (Lynn Garafola, Barnard College)"

"Julia L. Foulkes' "Modern Bodies" sheds new light on the rise and fall of 'historic' modern dance. Some of her conclusions are bound to stir controversy. But her idea that modern dance of the 1930s and 1940s embodied the aspirations of a democratic polity that included African Americans, gay men, and self-styled 'revolutionary' dancers of the left adds complexity to a history too often defined solely in terms of heroines and artistic giants. (Lynn Garafola, Barnard College)"

Synopsis

This text exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. It was in 1930 that dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamaris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. However, modern dance was distinct from other artistic genres in that it attracted many different sections of society. Women held leading roles in the development of modern dance both on and off stage, gay men recast the effeminacy often associated with dance into hardened, heroic, American athleticism and African Americans contributed elements of social, African, and Caribbean dance. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist.

About this edition

• Publisher: University North Carolina Pr
• Publication date: 2002
• ISBN 10: 0807853674
• ISBN 13: 9780807853672
• Binding: Paperback
• Number of pages: 272