The White Bone - Hardcover

Gowdy, Barbara

Hardcover

ISBN 10: 0805060367 ISBN 13: 9780805060362

Publisher: Metropolitan Books, 1999

Synopsis

If, as many recent nonfiction bestsellers have revealed, animals possess emotions and awareness, they must have stories. In The White Bone, a novel imagined entirely from the perspective of African elephants, the most splendid of nature's creatures, Barbara Gowdy creates a world whole and separate that yet illuminates our own.
For years, young Mud and her family have roamed the high grasses, swamps and deserts of sub-Saharan Africa. Now, however, the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing - not the once-familiar terrain, or the age-old rhythms of life or even memory itself - seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the only chance for survival is the mysterious white hone.
And so, amid scenes of terrifying carnage and despair, begins the quest of Mud and her family for the bone that, legend holds, will point them toward the Safe Place. Their journey takes them through Africa's vast dessicated plains, where they meet with injury and starvation, ruthless poachers and rapacious carnivores, lone nomadic bulls and unexpected allies - until at last the survivors find themselves facing a final, chilling trial of loyalty and courage.
Plunged into an alien arid landscape, we gradually orient ourselves in elephant time, elephant space, elephant consciousness. And we begin to imagine, as Gowdy puts it "what it would be like to be that big and gentle, to be that imperiled, and to have that prodigious memory."

About this title

Review:

Barbara Gowdy has an utter affinity for the unconventional. In the title story of We So Seldom Look on Love, necrophilia is exquisite rather than execrable, and her wildly funny--and wildly affecting--novel Mister Sandman invites us into the hearts and minds of Toronto's least normal and most loving family. With The White Bone Gowdy continues her exploration of extraordinary lives, but this time human beings ("hindleggers") are on the periphery. And we're grateful when they're not around, as this gives her four-legged characters--elephants-- a chance to survive.

The White Bone opens with five family trees. Gowdy's pachyderms include an orphaned visionary, She-Spurns (more familiarly known as Mud), and the "fine-scenter" She-Deflates, not to mention nurse cow She-Soothes and the bull Tall Time. (Though Gowdy's nomenclature may displease some readers, Dumbo wasn't exactly an inspiring name either.) Then, before her tragic narrative even begins, Gowdy offers a second feat of empathy and imagination, a glossary of elephant language. Afflicted by premonitions and obsessed with memory and safety, these animals have terms that range from the formal to the low, the metaphorical to the deeply physical: the "Eternal Shoreless Water" is oblivion, a "sting" is a bullet, and a "flow-stick" a snake. Of course, if you have "trunk," you possess "soulfulness, depth of spirit"--something every participant in Gowdy's fourth novel desperately needs. Initially, her characters' impressions of familiar objects are amusing, but bright comedy precedes dark tragedy. Witness Mud's take on jeeps: "On their own, vehicles prefer to sleep, but whenever a human burrows inside them they race and roar and discharge a foul odour." Needless to say, such speeding tends to precede a killing fest.

Alas, this is a book heavy with omens and slaughter, and Gowdy makes each elephant so individual, so conscious, that their separate fates are impossible to bear. When Tall Time, for instance, hears a helicopter, nothing, not even Gowdy's poetry, can save him: "The shots that pelt his hide feel as light as rain. It is bewildering to be brought down under their little weight." As the devastation increases, and her characters fail, and fail again, to find the magical white bone that should lead them to safety, the novel becomes a litany of pain and death. The only success is Barbara Gowdy's, in getting so thoroughly under the skin of her elephantine protagonists. --Kerry Fried, Amazon.com

Review:

"Inspired . . . A marvel of a book . . . The language, social structure, intellectual and spiritual world of elephants are as real as the fabric of human life. Absolutely compelling."--Alice Munro

"Gowdy's chief accomplishment is that she manages genuinely to entrench us in the elephant psyche . . . dazzling . . . Gowdy renders this arid African landscape with a subtle gorgeousness reminiscent of Isak Dinesen."--"The Boston Globe"

"Gowdy here performs her greatest creative feat yet . . . Gowdy conjures a vibrantly visceral world . . . The White Bone presents a lyrical educated guess on what elephant consciousness might feel like - including, most sadly and movingly, the perpetual threat of extinction. "--"Entertainment Weekly"

"Fascinating . . . Through the course of The White Bone we come to care about the elephants as much as we would humans."--Judy Doenges, "The Seattle Time"

"Written like an indigenous legend, The White Bone is about the burden of memory . . . Readers who make it through will never think the same of elephants and their 'appalling resilience.'"--Bob Minzesheimer, "USA Today"

"Gowdy [has a] great gift for sensual description...The novel is plenty funny and plenty odd."--Sarah Boxer, "The New York Times Book Review"

"Compelling . . .The White Bone takes place in a self-sufficient and brilliantly authentic world . . . Impressive and delightful." --Jelena Petrovic, "The Minneapolis Star-Tribune"

"A richly detailed novel." -"New York Daily News"
"Brave . . . Gowdy has embarked on the creation of an extremely distinct, invented world, with its own social and linguistic structures, its own myths and totems." -Claire Messud, "Newsday"

"Barbara Gowdy's "The White Bone" (1998), a kind of tragic epic of African elephants narrated from the perspective of the elephants, undertakes to cross the boundary between species in an extraordinarily visceral, sensuous, and poetic rendering of language unparalleled in contemporary literature. You need not believe that elephants can think in language--in this case, a highly lyric English--to be enthralled by the author's imaginative immersion in her subject, a brilliantly inspired melding of research into the lives of African elephants and the creation of a distinctly original, indeed sui generis alternative world. Inevitably, in a time in which African elephants are being ravaged by poachers and their species endangered by incursions into their natural habitat, "The White Bone" is not a casual reading experience. It will linger long in the memory, like an intensely unnerving yet wonderfully strange dream."
--Joyce Carol Oates, "The New York Review of Books"

"Inspired . . . A marvel of a book . . . The language, social structure, intellectual and spiritual world of elephants are as real as the fabric of human life. Absolutely compelling."
--Alice Munro
"Gowdy's chief accomplishment is that she manages genuinely to entrench us in the elephant psyche . . . dazzling . . . Gowdy renders this arid African landscape with a subtle gorgeousness reminiscent of Isak Dinesen."
--"The Boston Globe"
"Gowdy here performs her greatest creative feat yet . . . Gowdy conjures a vibrantly visceral world . . . The White Bone presents a lyrical educated guess on what elephant consciousness might feel like - including, most sadly and movingly, the perpetual threat of extinction."
--"Entertainment Weekly"
"Fascinating . . . Through the course of The White Bone we come to care about the elephants as much as we would humans."
--Judy Doenges, "The Seattle Times"
"Written like an indigenous legend, The White Bone is about the burden of memory

Inspired . . . A marvel of a book . . . The language, social structure, intellectual and spiritual world of elephants are as real as the fabric of human life. Absolutely compelling.--Alice Munro

Fascinating . . . Through the course of The White Bone we come to care about the elephants as much as we would humans.--Judy Doenges "The Seattle Times "

Written like an indigenous legend, The White Bone is about the burden of memory . . . Readers who make it through will never think the same of elephants and their 'appalling resilience.'--Bob Minzesheimer "USA Today "

Gowdy [has a] great gift for sensual description...The novel is plenty funny and plenty odd.--Sarah Boxer "The New York Times Book Review "

Compelling . . .The White Bone takes place in a self-sufficient and brilliantly authentic world . . . Impressive and delightful.--Jelena Petrovic "The Minneapolis Star-Tribune "

Brave . . . Gowdy has embarked on the creation of an extremely distinct, invented world, with its own social and linguistic structures, its own myths and totems.--Claire Messud "Newsday "

Barbara Gowdy's The White Bone (1998), a kind of tragic epic of African elephants narrated from the perspective of the elephants, undertakes to cross the boundary between species in an extraordinarily visceral, sensuous, and poetic rendering of language unparalleled in contemporary literature. You need not believe that elephants can think in language-in this case, a highly lyric English-to be enthralled by the author's imaginative immersion in her subject, a brilliantly inspired melding of research into the lives of African elephants and the creation of a distinctly original, indeed sui generis alternative world. Inevitably, in a time in which African elephants are being ravaged by poachers and their species endangered by incursions into their natural habitat, The White Bone is not a casual reading experience. It will linger long in the memory, like an intensely unnerving yet wonderfully strange dream.--Joyce Carol Oates "The New York Review of Books "

Barbara Gowdy's The White Bone (1998), a kind of tragic epic of African elephants narrated from the perspective of the elephants, undertakes to cross the boundary between species in an extraordinarily visceral, sensuous, and poetic rendering of language unparalleled in contemporary literature. You need not believe that elephants can think in language-in this case, a highly lyric English-to be enthralled by the author's imaginative immersion in her subject, a brilliantly inspired melding of research into the lives of African elephants and the creation of a distinctly original, indeed sui generis alternative world. Inevitably, in a time in which African elephants are being ravaged by poachers and their species endangered by incursions into their natural habitat, The White Bone is not a casual reading experience. It will linger long in the memory, like an intensely unnerving yet wonderfully strange dream. Joyce Carol Oates, "The New York Review of Books"

Inspired . . . A marvel of a book . . . The language, social structure, intellectual and spiritual world of elephants are as real as the fabric of human life. Absolutely compelling. Alice Munro

Gowdy's chief accomplishment is that she manages genuinely to entrench us in the elephant psyche . . . dazzling . . . Gowdy renders this arid African landscape with a subtle gorgeousness reminiscent of Isak Dinesen. "The Boston Globe"

Gowdy here performs her greatest creative feat yet . . . Gowdy conjures a vibrantly visceral world . . . The White Bone presents a lyrical educated guess on what elephant consciousness might feel like - including, most sadly and movingly, the perpetual threat of extinction. "Entertainment Weekly"

Fascinating . . . Through the course of The White Bone we come to care about the elephants as much as we would humans. Judy Doenges, "The Seattle Times"

Written like an indigenous legend, The White Bone is about the burden of memory . . . Readers who make it through will never think the same of elephants and their appalling resilience.' Bob Minzesheimer, "USA Today"

Gowdy [has a] great gift for sensual description...The novel is plenty funny and plenty odd. Sarah Boxer, "The New York Times Book Review"

Compelling . . .The White Bone takes place in a self-sufficient and brilliantly authentic world . . . Impressive and delightful. Jelena Petrovic, "The Minneapolis Star-Tribune"

A richly detailed novel. "New York Daily News"

Brave . . . Gowdy has embarked on the creation of an extremely distinct, invented world, with its own social and linguistic structures, its own myths and totems. Claire Messud, "Newsday""

About this edition

• Publisher: Metropolitan Books
• Publication date: 1999
• ISBN 10: 0805060367
• ISBN 13: 9780805060362
• Binding: Hardcover
• Edition number: 1
• Number of pages: 330