Staging Fascism: 18BL and the Theater of Masses for Masses - Hardcover

Schnapp, Jeffrey T.

Hardcover

ISBN 10: 0804726078 ISBN 13: 9780804726078

Publisher: Stanford University Press, 1996

Synopsis

On an April evening in Florence in 1934, before twenty thousand spectators, the mass spectacle 18BL was presented, involving two thousand amateur actors, an air squadron, one infantry and cavalry brigade, fifty trucks, four field and machine gun batteries, ten field-radio stations, and six photoelectric units. However titantic its scale, 18BL's ambitions were even greater: to institute a revolutionary fascist theater of the future, a modern theatre of and for the masses that would end the crisis of the bourgeois theatre. This is the complete story of the event, a colossal failure to critics and spectators alike, which the fascist government took pains to expunge from the annals of the regime. The detailed reconstruction of these various aspects of 18BL serves as a springboard for a larger inquiry into the place of media, technology, and machinery in the fascist imagination, particularly in its links to fascist models of narrative, historiography, spectacle, and subjectivity.

About this title

Synopsis:

On an April evening in Florence in 1934, before 20,000 spectators, the mass spectacle 18BL was presented, involving 2000 amateur actors, an air squadron, one infantry and cavalry brigade, 50 trucks, four field and machine gun batteries, ten field-radio stations, and six photoelectric units. However titantic its scale, 18BL's ambitions were even greater: to institute a revolutionary fascist theatre of the future, a modern theatre of and for the masses that would end the crisis of the bourgeois theatre. This is the complete story of the event, a colossal failure to critics and spectators alike, which the fascist government took pains to expunge from the annals of the regime. The detailed reconstruction of these various aspects of 18BL serves as a springboard for a larger inquiry into the place of media, technology, and machinery in the fascist imagination, particularly in its links to fascist models of narrative, historiography, spectacle, and subjectivity.

From the Back Cover:

The book describes how the spectacle arose amidst the theoretical debates unleashed by Mussolini's speech; how it was able to put itself forward as a solution to anxieties regarding the inadequacy of fascist culture.

About this edition

• Publisher: Stanford University Press
• Publication date: 1996
• ISBN 10: 0804726078
• ISBN 13: 9780804726078
• Binding: Hardcover
• Number of pages: 248