Treatise on Style (French Modernist Library) - Hardcover

Aragon, Louis

4.04

77 ratings by Goodreads

9780803210240: Treatise on Style (French Modernist Library)

Hardcover

ISBN 10: 0803210248 ISBN 13: 9780803210240

Publisher: University of Nebraska Press, 1991

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Surprising juxtapositions like goats spread across pianos and fearful optical illusions like eyeballs being sliced characterized the surrealistic movement in the arts in 1928 when Louis Aragon published Traite du Style in Paris. Aragon had become ever more contemptuous of vogues and pretensions. In the name of surrealism, he produced the first significant critique of it. Instead of merely upsetting old relationships and skewering sensibilities, Traite du Style was meant to shock with a capital S, and it did. Only now has it been completely translated into English. Although time has attenuated the scandalous nature of Aragon's language, his criticism has lost none of its edge in this translation by Alyson Waters. From the beginning, which describes a postcard showing a little boy on a potty as representative of French humor and the French spirit, to the end, an attack in scatalogical language on the French military establishment, Aragon zeros in on one target after another. Nothing escapes his notice or venom-whether it is the masturbatory output of contemporary writers, the prostitution of culture, or the perversions of government. Still, Treatise on Style is more than a brilliant diatribe directed against what Aragon perceived as the moral, political, and intellectual failures of his time. He proposes surrealism, in art as in life, as a means to achieve a valid ethical and aesthetic "style." Surrealism, as Aragon defines it here, loses some of its mythical and mystical trappings; it becomes inspiration with rolled-up shirt-sleeves. He exercises this faculty in his own writing, which aims to shake readers out of their complacency by alternating the intensely lyrical with the borderline obscene and juxtaposing the language of the educated elite with that of the street. Whether denouncing religious fantacism or dispensing praise, Aragon remains true to his idea of the surrealist project: to reclassify certain values through the act of writing itself. Treatise on Style entertains as a portrait of a movement and of a personality who kept moving.

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Review:

"This is a thoughtful translation of Aragon's Traite du Style, which originally appeared in 1928 at the confluence of Aragon's surrealist and Communist beliefs... His diatribe involves wordplay and juxtapositions that are more surrealist than political, as subjective and opinionated as possible, and a great pleasure to read."-Library Journal Library Journal "Energetic, funny, irreverent."-Patricia Terry, University of California, San Diego -- Patricia Terry "This translation brings through into English just exactly the ferocious irony and acerbic wit of Aragon. Throughout it keeps up the texture of the original."-Mary Ann Caws, Hunter College and City University of New York -- Mary Ann Caws

Synopsis:

"This is a thoughtful translation of Aragon's "Traite du Style", which originally appeared in 1928 at the confluence of Aragon's surrealist and Communist beliefs...His diatribe involves wordplay and juxtapositions that are more surrealist than political, as subjective and opinionated as possible, and a great pleasure to read." - Library Journal "Energetic, funny, irreverent." - Patricia Terry, University of California, San Diego. "This translation brings through into English just exactly the ferocious irony and acerbic wit of Aragon. Throughout it keeps up the texture of the original." - Mary Ann Caws, Hunter College and City University of New York. Surprising juxtapositions like goats spread across pianos and fearful optical illusions like eyeballs being sliced characterized the surrealistic movement in the arts in 1928 when Louis Aragon published "Traite du Style" in Paris. Aragon had become ever more contemptuous of vogues and pretensions. In the name of surrealism, he produced the first significant critique of it. Instead of merely upsetting old relationships and skewering sensibilities, "Traite du Style" was meant to shock with a capital S, and it did.

Only now has it been completely translated into English. Although time has attenuated the scandalous nature of Aragon's language, his criticism has lost none of its edge in this translation by Alyson Waters. From the beginning, which describes a postcard showing a little boy on a potty as representative of French humor and the French spirit, to the end, an attack in scatalogical language on the French military establishment, Aragon zeros in on one target after another. Nothing escapes his notice or venom-whether it is the masturbatory output of contemporary writers, the prostitution of culture, or the perversions of government. Still, "Treatise on Style" is more than a brilliant diatribe directed against what Aragon perceived as the moral, political, and intellectual failures of his time. He proposes surrealism, in art as in life, as a means to achieve a valid ethical and aesthetic "style." Surrealism, as Aragon defines it here, loses some of its mythical and mystical trappings; it becomes inspiration with rolled-up shirt-sleeves.

He exercises this faculty in his own writing, which aims to shake readers out of their complacency by alternating the intensely lyrical with the borderline obscene and juxtaposing the language of the educated elite with that of the street. Whether denouncing religious fanaticism or dispensing praise, Aragon remains true to his idea of the surrealist project: to reclassify certain values through the act of writing itself. "Treatise on Style" entertains as a portrait of a movement and of a personality who kept moving. Alyson Waters, an adjunct lecturer in the Department of Romance Languages at Hunter College and CUNY, has translated articles for Art in America and other periodicals.

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