In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory.
Among the contributors, Charles Ess uses the work of Jürgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands.
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"A significant contribution to a growing body of theory for the new electronic technology of writing. As I read one essay after another, I was struck by the diversity and originality of the approaches taken. Yet all of the essays are clearly theoretical, and all of them show that hypertext deserves a serious theoretical treatment." -- Jay David Bolter, Georgia Institute of Technology, author of Writing Space: The Computer, Hypertext, and the History of Writing
"In this volume, 11 pieces explore the nature of critical theory in the age of hypertext, looking variously at computers and democracy, art and pedagogy, indeterminacy, hypertext as resistance, and other probings of the cultural, political, economic, and social effects of the emergence of hypertext." -- Journal of Communication
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