Woody Allen (Tr) - Softcover

Baxter, John

3.6

192 ratings by Goodreads

Softcover

ISBN 10: 0786708077 ISBN 13: 9780786708079

Publisher: Avalon Publishing Group, 2000

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The first comprehensive biography of the great filmmaker analyzes the life and art of Woody Allen, from details of his troubled childhood and relationships to the brilliantly neurotic art he has produced from these traumas. Reprint.

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Review:

If sex, politics and religion are the big issues that divide people, Woody Allen can't be far behind. He is loved by sophisticates and cab drivers alike--"he's bald, he's ugly, he can't get laid--he's just like us". He is equally loathed by many who see his neurotic ticks and self- absorption as too smothering of his talent. Since Eric Lax's authorised (ie: anodyne) biography came out in 1991, Allen's life has generated huge controversy due to his relationship with Soon- Yi, the adopted daughter of his ex-partner, Mia Farrow.

John Baxter here presents a balanced account of this fraught time, and thankfully does not allow it to overwhelm the rest of the book. He proves particularly strong on his analyses of the films, tracing the development from What's New, Pussycat? to the triumph of Manhattan, and onto the darkness of Deconstructing Harry. He considers the role of Ingmar Bergman and Frederico Fellini in informing his direction, and Bob Hope and Charlie Chaplin, among others, in moulding the screen persona; but from behind this "Woody" emerges a deeply contradictory man, rather unlovable and only passingly loving, who uses a megalomaniac paranoia to drive his creativity, but which denies him happiness, at least in a conventional sense. It is to John Baxter's credit that he refrains from indulging in excessive psychoanalysis, and the result is an intelligently melancholic biography of an anhedonistic auteur. --David Vincent

From the Back Cover:

Woody Allen has long been an enigma, obscured by a fa�ade no less carefully constructed than his films. How fine is the autobiographical line between film character and the reality? How far has Allen retrospectively rewritten his life? To answer these questions, John Baxter examines the prolific artistic career of one of the few people to have successfully played all three roles of writer, director and star.

Allen's films are celebrated for their wit and their ironic characterisations of Manhattan types, together with their neuroses. The best of them – 'Annie Hall, Manhattan, Crimes and Misdemeanours, Bullets Over Broadway '- rank among the finest of all screen comedies. Even his well-publicised rift with his long-term partner Mia Farrow and his subsequent affair with (and marriage to) her adopted daughter Soon-Yi apparently failed to dent the calibre of his film-making or the loyalty of his audience.

John Baxter, whose previous books include acclaimed biographies of Ken Russell, Fellini, Bu�uel, Steven Spielberg and Stanley Kubrick, shrewdly deconstructs Woody, revealing his attitudes to Jewishness, sexuality and mortality, his obsession, his cinematic and writing influences, his manipulation of celebrity and, above all, his role as court jester of the Manhattan intellectual �lite.

“Baxter's 'Woody Allen' is the best yet.”
Sheridan Morley, 'Sunday Times'

“A splendidly written, exhaustive account . . . a major achievement.”
Baret Magarian, 'Observer'

“A bracing corrective to the usual po-faced, sycophantic studies of the cult of Woody.”
Sean Macaulay, 'Mail on Sunday'

“Elegantly written, often hilarious.”
Humphrey Carpenter, 'Sunday Times'

“Thorough, series, mercifully un-sycophantic.”
Anne Chisholm, 'Sunday Telegraph'

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