Review:
`An exercise in late style itself, full of melancholy, insight and
humour' -- Hanif Kureishi, New Statesman Books of the Year
`He is one of those few critics who have a masterly intelligence
while never being obscure or baffling' -- Nicholas Lezard, Guardian paperback choice
`Said's last book is a series of dazzling case studies exploring
the idea of lateness in a range of composers, writers and artists' -- London Review of Books
`There is no better description of this gracefully unquiet,
probing and wise book: Said's own elegiac masterpiece of late style' -- Financial Times
`This is criticism of a high order, lucid and generous ... On Late
Style is a touching, fitfully enlightening book' -- Literary Review
Synopsis:
Based on a hugely popular graduate seminar that Said taught in the fall of 1995 at Columbia, "On Late Style" examines the work produced by Richard Strauss, Ludwig van Beethoven, Arnold Schoenberg, Thomas Mann, Jean Genet, Giuseppe Tomesi di Lampedusa, C.D. Cavafy, Samuel Beckett, Luchino Visconti, and Glenn Gould at the end of their creative lives, and illuminates the ways in which these works differed from the artists' previous works and what they tell us about the artists' evolution. Said makes clear that rather than the resolution of a lifetime's artistic endeavor, most of the late works discussed are rife with unresolved contradiction and almost impenetrable complexity. But, he helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius. Eloquent and impassioned - the subject had increasing resonance for the author as he battled leukemia in the last years of his own life - brilliantly reasoned and revelatory, "On Late Style" is Edward Said's own great last work.
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