Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for 40 years.
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Margaret Atwood charts the psychological process of memory as compulsion and memory as a healing act through the character of Elaine Risley, an artist who returns to her home town of Toronto for a retrospective of her work. Elaine's visit triggers thoughts of her childhood with all the urgency of a bad rash. Dominating her reflections are her childhood "friends", three girls who wreak havoc on Elaine's self-esteem. Having spent her early childhood on the road with an entomologist father, a less than traditional mother and a brother more concerned with snot and snakes than the intricate behaviour codes of girls, the young Elaine is vulnerable to the indirect aggression of Cordelia, the ringleader of the group who seeks to improve her. Through Elaine's experiences, Margaret Atwood turns a keen and ironic eye on the training of females in North American culture: "All I have to do is sit on the floor and cut frying pans out of the Eaton's Catalogue with embroidery scissors, and say I've done it badly." The self-effacement of these girl-children barely masks a need for power that erupts all too often in cruel forms of play. This is a story in which the lines between victims and oppressors blur, in which forgiveness becomes an act of gaining power. Through humour, pain and insight, she makes us see, with surprise and recognition, details from childhood we may well have forgotten. --Chris Kellett, From 500 Great Books by Women
'Gripping irresistible Read it' The Times 'A triumph. An emphatically taut and tender book' Marie Claire 'The best book in a long time on female friendships Cat's Eye is remarkable, funny and serious, brimming with uncanny wisdom' Cosmopolitan 'Nightmarish, evocative, heartbreaking' New York Times
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