For Alex Delaware, this crime is personal: if he couldn't help his former patient in life, he will in death. FLESH AND BLOOD is a fast-paced and complex thriller from New York Times No. 1 bestseller Jonathan Kellerman, and is perfect for fans of Harlan Coben and David Baldacci. '[Kellerman] has shaped the psychological mystery novel into an art form' Lost Angeles Times Book Review
When Alex Delaware first saw Lauren Teague she was a sullen teenager with the usual problems: bad grades at school, moody, uncommunicative with her parents - which is why they thought she needed to see a psychologist.
Then years later, a shock: at a batchelor party for a fellow doctor, Delaware finds himself uncomfortably watching two strippers going through a degrading display - and one of them is Lauren Teague. And now her mother is pleading for help once again: Lauren has disappeared - and she thinks Delaware can find her. He's not so sure - but when her disappearance turns into a murder investigation, he knows he owes it to the dead girl to find out what demons drove her to such a horrifying end . . .
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Alex Delaware is back in Flesh and Blood, one of the tautest outings yet for Jonathan Kellerman's resourceful protagonist. The new book represents a further level of refinement in Kellerman's functional, astringently written prose--it's clear that the author knows exactly what his readers need, and he dispenses with the superfluous. Nary a comma is wasted in this lean, direct piece of work.
Alex first encounters Lauren Teague as an uncommunicative teenager with all the usual hang-ups: poor grades at school, open warfare with her parents, etc. She is sent to a psychologist, and Alex loses track of her. Years later, at a bachelor party for a colleague, Alex is watching two strippers perform a fairly tasteless display and notices that one of them is Lauren. Lauren disappears, and her mother pleads for Alex's help in tracking her down. But her disappearance turns into a murder investigation, and Alex is obliged to confront the demons that brought Lauren to an unenviable end.
The theme of a descent into a truly dark criminal underworld is desperately over-familiar, but Kellerman is fully aware of that and rings the changes with commanding authority. If Alex is more cursorily characterised than usual, that's undoubtedly Kellerman's game plan: the narrative here is the thing, and the merest touches are needed to characterise his canny protagonist. --Barry Forshaw
Strong insights into the quirks of human and criminal behaviour (Guardian)
Filled with insight (Stephen King)
Coolly intelligent (GQ)
A sense of humanity and justice (Publishers Weekly)
An alert eye for detail (New York Times)
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