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Angelo has few redeeming characteristics. As the protagonist of this sprawling novel of the rise of organised crime in America, he never earns the reader's empathy, despite Carcaterra's attempts to humanise his central character by presenting the "code of the gangster" as a believable rationale for Angelo's existence and his success in his chosen career. By far the more interesting thugs who people this book are Pudge, Angus McQueen and Ida the Goose, a trio of fellow gangsters the author pulls into Angelo's orbit. Despite their moral and ethical shortcomings, they are picaresque enough to have a certain raffish charm. But Angelo is no Don Corleone or even Tony Soprano. And while Carcaterra's a journeyman writer, he's not ready to inherit the mantle of the late (and in this case sadly lamented) Mario Puzo. --Jane Adams, Amazon.com
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