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Lee charts the rise of David from relative mediocrity as a highly academic painter, to his enthusiastic support for the revolution of 1789, culminating in his remarkable painting Marat Breathing his Last (1793). Arrested and narrowly avoiding execution in the political backlash following the overthrow of Robespierre, David turned his back on politics to concentrate on his art, only to find himself catapulted back into the political limelight with his fervent embrace of Napoleon Bonaparte. This led to the creation of some of David's most imposing paintings, from the equestrian portraits of Napoleon, to the pomp of The Coronation of the Emperor and Empress. But once again, David's political hopes were dashed with Napoleon's defeat at Waterloo in 1815, which led to David going into self-imposed exile in Brussels, where he died 10 years later.
Despite Lee's rather wooden prose, this is a thorough, detailed and generously illustrated study of a fascinatingly contradictory patrician, but technically brilliant painter.--Jerry Brotton
"This up-to-date overview of David is a seamless fusion of art and history. Filled with unfamiliar facts, observations, and corollary images, it rejuvenates the father of modern French painting within the drama of Revolution, Empire and Restoration."―Robert Rosenblum, Department of Fine Arts, New York University
On the Art & Ideas series
"Art & Ideas has broken new ground in making accessible authoritative views on periods, movements and concepts in art. As a series it represents a real advance in publishing."―Sir Nicholas Serota, Director, Tate London
"The format is wonderful and offers what had long been missing in academic studies: usable manuals for specific themes or periods... I am definitely not alone in welcoming Art & Ideas as a precious set of teaching tools."―Joachim Pissarro, Yale University
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