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Barker has broadly followed the line of theatre created by Brecht and Bond, yet he is an individual whose style shows a different development from his contemporaries, characterised by his vivacity and linguistic verve. Barker's plays explore power, sexuality and human behaviour with a poetic and compelling language that overflows with ideas, beauty, violence and rich, dark comedy.
In his more recent work, Barker has moved further into a world of alternative history and myth. His brand of theatre - `The Theatre of Catastrophe' - echos the concerns and anxieties of modern life; it is catastrophe, either collective or individual, that looms over all of us. The power of his writing, the fertility of his imagination, and the depth of his dramatic invention and stage-craft make Barker, without question, one of the major voices of the modern theatre.
There have been numerous productions of his work in the major national theatres of Europe, Australia and North America. In Britain, aside from productions by the Royal Court, Royal Shakespeare Company and some regional and experimental theatres such as The Almeida in London, Barker's plays are also toured by a specialised theatre company called 'The Wrestling School' - a company dedicated solely to the work of Barker whose productions are often directed by the playwright himself.
Barker is the prototypal literary figure for the new millennium - a myth-maker of the highest order who probes the past to speculate on the future, presenting the world in new forms and imprinting in the memory unforgettable images and metaphors.
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