In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, prejudice. These beautifully wrought, bittersweet stories capture everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. A mother moves north with her young children who watch her and try to decipher her buried grief. Two photographers document a nation's guilt in pictures of its people's hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America's Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind.
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"Josephine Rowe . . . writes clear, polished prose. Her tales are all succinct . . . we get glimpses, the corners of other people's lives." --"Sunday Age"
Josephine Rowe . . . writes clear, polished prose. Her tales are all succinct . . . we get glimpses, the corners of other people s lives. "Sunday Age""
Josephine Rowe is the author of the short story collection "How a Moth Becomes a Boat," and her poetry and fiction have appeared in "Best Australian Poems," "Best Australian Stories," "Griffith Review," the "Iowa Review," "Meanjin," and "Overland." She was a participant of the University of Iowa s International Writing Program."
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