Millais: Portraits - Softcover

Warner, Malcolm; Flint, Kate; Matthew, H. C. G.; Ormond, Leonee; Funnell, Peter

Softcover

ISBN 10: 0691007209 ISBN 13: 9780691007205

Publisher: Princeton Univ Pr, 1999

Synopsis

John Everett Millais (1829-1896) was one of the most celebrated figures of Victorian art. As a young man, he founded the Pre-Raphaelite Brotherhood with Dante Gabriel Rossetti and William Holman Hunt. In later years, he rose to wealth, acclaim, and social prestige as a landscapist, illustrator, and painter of subject and genre pictures and as the most successful British portrait painter of his generation. This lavishly illustrated book, published to accompany a major exhibition at the National Portrait Gallery in London, is the first comprehensive survey of Millais's portraits. It is also a historically important record of High Victorian England, containing the artist's memorable images of such leading political and cultural figures as Gladstone, Disraeli, Tennyson, Ruskin, Carlyle, and Lillie Langtry. The book includes 100 color reproductions as well as essays by eminent scholars that place Millais's work in the context of his public and private life, making this an authoritative and visually compelling study of the artist's extraordinary contributions to portraiture.

Peter Funnell begins the book by describing Millais's astonishing popularity and the artist's public persona, examining his practice as a portraitist and assessing the view common among later critics that Millais's mature work failed to fulfill his youthful promise. Leonée Ormond examines Millais's early portraits, from his precocious boyhood sketches to his magnificent portrait of Ruskin (1853-54) and his paintings of Ruskin's wife, Effie, who famously left her husband to marry Millais. Malcolm Warner interprets Millais's portraits of children--including the elegiac painting Autumn Leaves (1855-56) and the melancholy Nina Lehmann (1869)--as reflections of Millais's nostalgic ideas about the naturalness, innocence, and beauty of childhood. H. C. G. Matthew assesses Millais's portraits of men of power, which include paintings of four Prime Ministers (Gladstone, Disraeli, Salisbury, and Rosebery). Kate Flint discusses Millais's portraits of women, which ranged from likenesses of family and friends to glamorous paintings of the rich, aristocratic, and beautiful. Each essay is followed by its own thematic catalogue of portraits.

The elegantly written essays and stunning reproductions are supplemented by Warner's extensive documentation about individual works of art, drawings from Millais's sketchbooks, and photographs of the artist in his studio. In its words and images, in its scholarship and its accessibility to the general reader, this is an exceptional book about one of the most influential artists of the nineteenth century.

About this title

Review:

John Everett Millais is still thought of mostly as a Pre-Raphaelite painter; but a much longer portion of his career was devoted to painting the portraits of the Victorian rich and famous. Not only did this prove extraordinarily lucrative--Millais earned what was by today's standards millions from his portraits--but it gave one of the most talented of all 19th-century painters the chance to fashion powerful and memorable images of the people of the age. This book is the catalogue to the 1999 Millais Portrait exhibition at the National Portrait Gallery in London, but it is a much more handsome production than most catalogues; the pictures are beautifully reproduced, and, in place of the usual bland catalogue commentary, essays from four leading art historians have been gathered together: on Millais' Early and Pre-Raphaelite portraits, his portraits of children, of men and of women (this last a fascinating piece by Kate Flint). Altogether these provide an absorbing historical and critical context for these pictures. For my money it is the contrast between a Millais portrait of an old lady in black (Isabella Heugh, 1872) and the more famous portrait by James Whistler of his mother from 1871 (called Arrangement in Grey and Black No. 1) that reveals precisely why Millais was so talented a portraitist; Isabella Heugh is not only full of character, it is dynamic and involving in terms of its potent colour scheme and diagonal composition in a way that makes Whistler's famous image seem flat and denuded.--Adam Roberts

Review:

"The essay authors are frank in their assessment of a painter often charged with succumbing to the allurements of fashion; at the same time, they are effective in placing him in the context of art history as well as the political, social, and aesthetic realities of his time."--Choice

"[A] finely and expensively produced catalogue."--Lindsay Duguid, Times Literary Supplement

About this edition

• Publisher: Princeton Univ Pr
• Publication date: 1999
• ISBN 10: 0691007209
• ISBN 13: 9780691007205
• Binding: Paperback
• Edition number: 1
• Number of pages: 240
• Editor: Millais John Everett, Funnell Peter