Plagued by vivid nightmares of the summer house he had shared with his late wife, grieving widower Mike Noonan returns to his former Maine getaway, only to find a town in the grip of a ruthless millionaire and tormented by a series of ghostly visitations. 1,750,000 first printing. BOMC Main.
"synopsis" may belong to another edition of this title.
Bag of Bones is partly inspired by Daphne du Maurier's classic Rebecca, but there's more than homage in this novel of horror and romance. Like du Maurier's Manderley, King's scary old place (on the shore of Maine's remote Dark Score Lake) is haunted by the late lady of the manor. There are many gory ghosts afoot though: men, women, and wailing kids. The hero, a thriller novelist, stirs up hell's angry shades while investigating his wife's death. It turns out she either had a dark secret herself or was onto some dread scandal lurking in Dark Score Lake. As in King's previous book, Wizard and Glass, the fabric of reality is thin, and nosy narrators are in peril of plunging right out of this world and into a rather hostile otherworld.
Bag of Bones is a writer-haunted book, too. The spirits of Herman Melville and Ray Bradbury are deeply felt, and so are the tale's two romances (the hero muses on his marriage and falls for a young single mum with a marvellous psychic daughter). There is also good-humoured satire of the real bestseller book world--the hero complains that "the publicity process is like going to a sushi bar where you're the sushi." In its deep concerns with love, sprawling families, the writer's life, endangered children and good old-fashioned storytelling, the book resembles a John Irving novel. It is also absolutely classic Stephen King, packed with nifty turns of phrase, irreverent wit and lurid ghouls who grab you from beneath the bed while you cower under the covers. --Tim Appelo
Anne Rivers Siddons
Gloria Naylor
For years, I've been saying that Stephen King is much more than just a horror fiction writer. And I believe that he's never been given credit for taking American literature and stretching its boundaries. "Bag of Bones" proves me right. It is a love story about the dark places within us all, a metaphor for the act of creativity itself.
Amy Tan
What I admire most about "Bag of Bones" is its intelligence of voice, not only the craftsmanship -- the indelible sense of place, the well-fleshed characters, the unstoppable story line -- but the witty and obsessive voice of King's powerful imagination. It places both the ghost story and Stephen King in their proper place on the shelf of literary American fiction.
""Bag of Bones" is, hands down, King's most narratively subversive fiction. Whenever you're positive -- just positive! -- you know where this ghost story is heading, that's exactly when it gallops off in some jaw-dropping new direction." -- Entertainment Weekly
What I admire most about "Bag of Bones" is its intelligence of voice, not only the craftsmanship -- the indelible sense of place, the well-fleshed characters, the unstoppable story line -- but the witty and obsessive voice of King's powerful imagination. It places both the ghost story and Stephen King in their proper place on the shelf of literary American fiction." -- Amy Tan
"Bag of Bones is, hands down, King's most narratively subversive fiction. Whenever you're positive -- just positive! -- you know where this ghost story is heading, that's exactly when it gallops off in some jaw-dropping new direction." -- Entertainment Weekly
-Bag of Bones is, hands down, King's most narratively subversive fiction. Whenever you're positive -- just positive! -- you know where this ghost story is heading, that's exactly when it gallops off in some jaw-dropping new direction.- -- Entertainment Weekly
What I admire most about Bag of Bones is its intelligence of voice, not only the craftsmanship -- the indelible sense of place, the well-fleshed characters, the unstoppable story line -- but the witty and obsessive voice of King's powerful imagination. It places both the ghost story and Stephen King in their proper place on the shelf of literary American fiction." -- Amy Tan
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