Following the death of her father, an irregularly employed pianist, Ellen Henshaw becomes a high-class prostitute in Paris during the 1930s and then founds a chain of schools to instruct men in the arts of love and music
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He has hit on a brilliant theme, low and heroic at the same time. --Norman Shrapnel, Guardian
Part autobiography, part joyous invention, it combines picaresque at its best with comedy of high subtlety and poetry. [...] A major novel by a major novelist. --Financial Times
Anthony Burgess is one of the most versatile artists of the English language. --Erica Jong, Washington Post
Anthony Burgess (1917-1993) was a novelist, poet, playwright, composer, linguist, translator and critic. He is best known for his novel A Clockwork Orange, but altogether he wrote thirty-three novels, twenty-five works of non-fiction, two volumes of autobiography, three symphonies, more than 250 other musical works, and thousands of essays, articles and reviews. Burgess was born in Manchester, England and grew up in Harpurhey and Moss Side. He was educated at Xaverian College and Manchester University. He lived in Malaya, Malta, Monaco, Italy and the United States, among other places. His books are still widely read all over the world. Will Carr is the Deputy Director of the International Anthony Burgess Foundation
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Paperback. First Ed thus; First Printing indicated. Very Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to extremities; the pages have tanned rather heavily, due to aging. Binding square and secure; text clean. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 12mo. 253pp. Mass Market Paperback. For Burgess, one of late 20th century's certifiable master fiction writers, a piece like The Pianoplayers is a bit of a diversion. It is light, it is funny, it comes with the most basic kind of message (people need love, sex, and affection if they are to remain happy and sane). A lesser writer would be thrilled to have produced this charming comic work, a summation of Burgess's life, times, and preoccupations. Ellen Henshaw is the daughter of a pianoplayer (not a "pianist," she would insist, which is something entirely different), an accompaniest to movies in the old days of the silent screen. The first portion of the book details her father's attempts to stay financially afloat through various plots and schemes, leading to his demise at the keyboard. The second half shows Ellen blooming into a world famous expert on the power of love (prostitute is too prosaic a term for what she is). Burgess relates the story in female first person, and the voice is pretty much free of any obvious false notes. Much has been made of Burgess's comparisions to Joyce, and here he does employ a slight variation of the stream of consciousness technique, but it never impedes the flow of the story. This is a dandy concoction. First Ed thus; First Printing indicated. Seller Inventory # 41107
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