In this extraordinary new edition, Donna Greens' beautiful and evocative paintings bring poignant meaning to a classic tale that remains as compelling today as when it was first published in 1922.Margery Williams' famous story tells of a young boy and his treasured favorite toy, a splendid "fat and bunchy" rabbit, whose ears are lined with a pink sateen.For this new edition Green has created superb oil-on-canvas works that are fresh and innocent, painted with a soft, tender touch that is utterly her own.
"synopsis" may belong to another edition of this title.
A stuffed toy rabbit (with real thread whiskers) comes to life in Margery Williams' timeless tale of the transformational power of love. Given as a Christmas gift to a young boy, the Velveteen Rabbit lives in the nursery with all of the other toys, waiting for the day when the Boy (as he is called) will choose him as a playmate. In time, the shy Rabbit befriends the tattered Skin Horse, the wisest resident of the nursery, who reveals the goal of all nursery toys: to be made "real" through the love of a human. "'Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'" This sentimental classic--perfect for any child who's ever thought that maybe, just maybe, his or her toys have feelings--has been charming children since its first publication in 1922.
Recommended in The Wall Street Journal's 2012 Gift Guide
"Here Ms. Sakai again displays her gift for depicting inner truths in the outer appearance of very small children. In the cupping of small hands, the confiding turn of a face, Ms. Sakai captures without a bit of saccharine the transportation of a boy into the realm of his own imagination." -- Meghan Cox Gurdon, The Wall Street Journal
Recommended in The Wall Street Journal's 2012 Gift Guide
"Here Ms. Sakai again displays her gift for depicting inner truths in the outer appearance of very small children. In the cupping of small hands, the confiding turn of a face, Ms. Sakai captures without a bit of saccharine the transportation of a boy into the realm of his own imagination." -- Meghan Cox Gurdon, The Wall Street Journal
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