A superb work of literary fantasy. In a truly original imagined world of breathtaking, sometimes surreal, beauty, fifty utterly alien but disarmingly human immortals lead mankind in a centuries-long war.
Jant is the Messenger, one of The Circle, a cadre of fifty immortals who serve the Emperor, and the only immortal - indeed the only man alive - who can fly.
The Emperor is seeking to protect mankind from the hordes of giant insects who have plagued the land for centuries, overwhelming towns with their beautiful nests, eating everything and everyone in their path. But he must also contend with the rivalries and petty squabblings of his chosen immortals. These are squabbles that will soon spill over into open civil war.
Steph Swainston has written an astonishingly original literary fantasy. She writes beautifully. Her novel places her in a tradition of writing typified by Mervyn Peake, M. John Harrison and, latterly, China Mieville. This is a breathtaking debut novel of the finest quality.
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An enjoyable piece of 'weird' fiction (Andrew Osmond DREAMWATCH)
A joy to read, it is bursting at the seams with ideas. The Year of Our War is the first book that makes you believe New Weird actually is a movement, rather than a bunch of books China Miéville likes. A Miéville quote appears prominently on the cover where he describes the book as "thoughtful, exuberant, incredibly inventive, funny but never whimsical or mannered." This is true and it doubles as a kind of manifesto pledge for New Weird (SF Site)
A stunning fantasy, and the most incredible thing about it is that it is a first novel... The setting is impeccably realised, with a deftness of touch and a genius for description which would be impressive in an author of considerably greater experience - of the current crop of British fantasy writers, only China Miéville can touch this level of brilliance. In fifty years time, people are still going to be reading this book and talking about it the way we talk about Gormengast (George Walkley INK MAGAZINE)
The density of Swainston's creation is breathtaking. But Swainston's also a knockout writer for scenes of triumphant action. Having created a world that's almost too complex to comprehend, she's able to unravel scenes of spectacular conflict. From the jaw-dropping opening chapter to the tense and bloody finish, Swainston puts the reader in the picture with a clarity that challenges cinema. (Rick Kleffel TRASHOTRON)
Her descriptive passages are rich and vivid and her characterisation is actually even better; frankly it's superb... Even her dialogue is free-flowing, original, yet natural-sounding; how often do you get that from a debut novelist? As for the protagonist himself: in Jant Shira, Swainston has come upwith one of the most irrepressibly loveable rogues in fantasy fiction, bar none. So, The Year of War has everything, yes? It¿s about as close to a perfect debut as you can get.' (THE ALIEN ONLINE)
Every so often in publishing a buzz develops about a book. The current buzz is most definitely the property of Steph Swainston and her stunning debut novel, The Year of our War. If it has antecedents then they are Angela Carter, Roger Zelazny, M. John Harrison and China Miéville. But while drawing on such illustrious forebears, it is by no means derivative. It is very much its own thing. It has a rare combination of the grim, the bizarre and the hilarious. And somehow it all works. (EMERALD CITY)
The most exciting, original and important new fantasy novel to be published since China Mieville's PERDIDO STREET STATION. A breathtakingly skilful debut.
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