Items related to Oscar and Lucinda
Oscar Hopkins is an Oxford seminarian with a passion for gambling. Lucinda Leplastrier is a Sydney heiress with a fascination for glass. The year is 1864. When they meet on the boat to Australia their lives will be forever changed . . .
Daring, rich, intense and bizarre, Peter Carey's Booker prize-winning novel is a brilliant achievement - a moving love story and a historical tour de force that is also powerfully contemporary.
"synopsis" may belong to another edition of this title.
Review:
Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. In the early parts of this lushly written book, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces. Young Oscar, denied the heavenly fruit of a Christmas pudding by his cruelly stern father, forever renounces his father's religion in favour of the Anglican Church. "Dear God," Oscar prays, "if it be Thy will that Thy people eat pudding, smite him!" Lucinda's childhood trauma involves a beautiful doll bought by her struggling mother with savings from the jam jar; in a misguided attempt to tame the doll's unruly curls, young Lucinda mutilates her treasure beyond repair. Neither of these coming-of-age stories quite explains how the grown-up Oscar and Lucinda each develop a guilty passion for gambling. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances. When the two finally meet, on board a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness and their awkwardly blossoming (but unexpressed) mutual affection. Their final high-stakes folly-- transporting a crystal palace of a church across (literally) godforsaken terrain--strains plausibility, and events turn ghastly as Oscar plays out his bid for Lucinda's heart. Yet even the unconvincing plot turns are made up for by Carey's rich prose and the tale's unpredictable outcome. Although love proves to be the ultimate gamble for Oscar and Lucinda, the story never strays too far from the terrible possibility that even the most thunderstruck lovers can remain isolated in parallel lives.
Review:
We have a great novelist living on the planet with us, and his name is Peter Carey.
"Los Angeles Times Book Review"
The stuff of shimmering transparent fantasy, held together by the struts of 19th-century history and the millions of painstaking details.
"Time"
A kind of rollercoaster ride . . . .The reader emerges . . . gasping, blinking, reshaped in a hundred ways, conscious that the world is never going to look the same again.
"The Washington Post Book World"
Carey luxuriates in language . . . . [Oscar & Lucinda is] a brilliant success.
"San Francisco Chronicle"
It is Thomas Wolfe one is reminded of most when reading Peter Carey . . . they share that magnificent vitality, that ebullient delight in character, detail and language that turns a novel into an important book.
"The New York Times Book Review"
[Oscar & Lucinda] is very, very hard to put down. There are many pleasures to be had here, chief among them the author s gift for telling fascinating, entertaining stories . . . . Like the characters of Charles Dickens and Honore de Balzac, Mr. Carey s creations are real in the simplest human sense.
"Washington Times"
A commanding writer with laser eye for detail and luxuriant narrative gifts.
"Wall Street Journal"
Peter Carey is to Sydney what Joyce was to Dublin . . . an absolute master of language and storytelling.
Thomas Keneally
Carey can write. He is funny, humane, and profound.
"The Literary Review" (London)
The well of talent from which Peter Carey draws his tales produces work as sweet and refreshing as a mineral spring . . . . Carey nears the summit occupied by Borges and Pynchon and a very few others.
Harlan Ellison
[Carey] works a literary territory all his own, combining elements of absurdism, black humor, social satire and old-fashioned family saga . . . a pleasure.
"Miami Herald"
--Time "A kind of rollercoaster ride . . . .The reader emerges . . . gasping, blinking, reshaped in a hundred ways, conscious that the world is never going to look the same again."
--The Washington Post Book World Carey luxuriates in language . . . . [Oscar & Lucinda is] a brilliant success."
--San Francisco Chronicle "It is Thomas Wolfe one is reminded of most when reading Peter Carey . . . they share that magnificent vitality, that ebullient delight in character, detail and language that turns a novel into an important book."
--The New York Times Book Review "[Oscar & Lucinda] is very, very hard to put down. There are many pleasures to be had here, chief among them the author's gift for telling fascinating, entertaining stories . . . . Like the characters of Charles Dickens and Honore de Balzac, Mr. Carey's creations are real in the simplest human sense."
--Washington Times "A commanding writer with laser eye for detail and luxuriant narrative gifts."
--Wall Street Journal "Peter Carey is to Sydney what Joyce was to Dublin . . . an absolute master of language and storytelling."
--Thomas Keneally "Carey can write. He is funny, humane, and profound."
--The Literary Review (London) "The well of talent from which Peter Carey draws his tales produces work as sweet and refreshing as a mineral spring . . . . Carey nears the summit occupied by Borges and Pynchon and a very few others."
--Harlan Ellison "[Carey] works a literary territory all his own, combining elements of absurdism, black humor, social satire and old-fashioned family saga . . . a pleasure."
--Miami Herald From the eBook edition.
"Los Angeles Times Book Review"
The stuff of shimmering transparent fantasy, held together by the struts of 19th-century history and the millions of painstaking details.
"Time"
A kind of rollercoaster ride . . . .The reader emerges . . . gasping, blinking, reshaped in a hundred ways, conscious that the world is never going to look the same again.
"The Washington Post Book World"
Carey luxuriates in language . . . . [Oscar & Lucinda is] a brilliant success.
"San Francisco Chronicle"
It is Thomas Wolfe one is reminded of most when reading Peter Carey . . . they share that magnificent vitality, that ebullient delight in character, detail and language that turns a novel into an important book.
"The New York Times Book Review"
[Oscar & Lucinda] is very, very hard to put down. There are many pleasures to be had here, chief among them the author s gift for telling fascinating, entertaining stories . . . . Like the characters of Charles Dickens and Honore de Balzac, Mr. Carey s creations are real in the simplest human sense.
"Washington Times"
A commanding writer with laser eye for detail and luxuriant narrative gifts.
"Wall Street Journal"
Peter Carey is to Sydney what Joyce was to Dublin . . . an absolute master of language and storytelling.
Thomas Keneally
Carey can write. He is funny, humane, and profound.
"The Literary Review" (London)
The well of talent from which Peter Carey draws his tales produces work as sweet and refreshing as a mineral spring . . . . Carey nears the summit occupied by Borges and Pynchon and a very few others.
Harlan Ellison
[Carey] works a literary territory all his own, combining elements of absurdism, black humor, social satire and old-fashioned family saga . . . a pleasure.
"Miami Herald"
"From the eBook edition.""
"We have a great novelist living on the planet with us, and his name is Peter Carey."
--Los Angeles Times Book Review
--Time "A kind of rollercoaster ride . . . .The reader emerges . . . gasping, blinking, reshaped in a hundred ways, conscious that the world is never going to look the same again."
--The Washington Post Book World Carey luxuriates in language . . . . [Oscar & Lucinda is] a brilliant success."
--San Francisco Chronicle "It is Thomas Wolfe one is reminded of most when reading Peter Carey . . . they share that magnificent vitality, that ebullient delight in character, detail and language that turns a novel into an important book."
--The New York Times Book Review "[Oscar & Lucinda] is very, very hard to put down. There are many pleasures to be had here, chief among them the author's gift for telling fascinating, entertaining stories . . . . Like the characters of Charles Dickens and Honore de Balzac, Mr. Carey's creations are real in the simplest human sense."
--Washington Times "A commanding writer with laser eye for detail and luxuriant narrative gifts."
--Wall Street Journal "Peter Carey is to Sydney what Joyce was to Dublin . . . an absolute master of language and storytelling."
--Thomas Keneally "Carey can write. He is funny, humane, and profound."
--The Literary Review (London) "The well of talent from which Peter Carey draws his tales produces work as sweet and refreshing as a mineral spring . . . . Carey nears the summit occupied by Borges and Pynchon and a very few others."
--Harlan Ellison "[Carey] works a literary territory all his own, combining elements of absurdism, black humor, social satire and old-fashioned family saga . . . a pleasure."
--Miami Herald From the eBook edition.
"About this title" may belong to another edition of this title.
- PublisherFaber and Faber
- Publication date1989
- ISBN 10 0571153046
- ISBN 13 9780571153046
- BindingPaperback
- Number of pages544
- Rating
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OSCAR AND LUCINDA
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ISBN 10: 0571153046
ISBN 13: 9780571153046
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