Items related to Chesterton and Tolkien as Theologians
This book takes Chesterton's 'natural theology' through fairytales seriously as a theological project appropriate to an intellectual attempt to return to faith in a secular age. It argues that Tolkien's fiction makes sense also as the work of a Catholic writer steeped in Chestertonian ideas and sharing his literary-theological poetics. While much writing on religious fantasy moves quickly to talk about wonder, Milbank shows that this has to be hard won and that Chesterton is more akin to the modernist writers of the early twentieth-century who felt quite dislocated from the past. His favoured tropes of paradox, defamiliarization and the grotesque have much in common with writers like T. S. Eliot, Ezra Pound and James Joyce and their use of the demotic as well as the 'mythic method'. Using Chesterton's literary rhetoric as a frame, the book sets out to chart a redemptive poetics that first decentres the reader from his habitual perception of the world, then dramatizes his self-alienation through the grotesque, before finding in that very alienation a sort of pharmakon through paradox and an embrace of difference. The next step is to change one's vision of the world beyond the self through magic which, paradoxically, is the means by which one can reconnect with the physical world and remove the fetishism and commodification of the object. Chesterton's theology of gift is the means in which this magic becomes real and people and things enter into reciprocal relations that reconnect them with the divine.
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Review:
"I would like to think that Milbank's outstanding book, if it achieves nothing else, will make [fans] return to The Lord of the Rings with an enhanced appreciation for the depth, complexity and purpose of the world he created; and maybe, just maybe, entice some of them to the Chestertonian well from which it sprang." - Waterstone's Watford, www.waterstones.com Mention -Theology Digest, Summer 2006 "Milbank has gifted us with what may well become our finest study of these Catholic artists in their unique relation not only to each other but also to our imagination-starved churches and culture." First Things: The Journal of Religion, Culture and Public Life Mention --Theology Digest, Summer 2006 Mention Theology Digest, Summer 2006 "Neither Chesterton nor Tolkien has received the quality of critical attention their work deserves, but Alison Milbank's remarkable book - as good as anything that has been written so far about either author - does much to remedy that deficiency. So far the field of Chesterton and Tolkien criticism has largely been divided between fierce celebrants and equally fierce detractors, and almost all parties seem to have missed the rich cultural and intellectual contexts from which these authors' works grow. By exploring these contexts - the Catholic encounter with modernity, the conscious and unconscious preservation of ancient folk traditions, the 'fair and perilous' land of Faery - Milbank performs a great service for these writers and their many readers."--Sanford Lakoff "Alison Milbank, of the University of Nottingham, aims to show how Chesterton's theology, and especially his ideas on faerie, influenced Tolkien's writing. This interesting subject produces no leisurely read, but a sophisticated analysis of the thought and works of both authors. Milbank expertly compares the writer's ideas on imagination, the grotesque, paradoxes, and the idea of the gift. This is hardly traditional theology!...it should be considered essential for academic libraries supporting graduate work in English literature." - Daniel Boice, Catholic Library World, September 2008--Sanford Lakoff "Catholic Library World " "The astonishingly high cost of this slim volume is unfortunate, and will limit its availability..." - Daniel Boice, Catholic Library World, September 2008--Sanford Lakoff "Catholic Library World " "Alison Milbank most ably demonstrates in her fascinating and illuminating book [that both Chesterton and Tolkein are theologians] ... Her purpose in making a comparitive study of the two writers, one so celebrated, one so sadly neglected ... is an immensely rewarding exercise, conducted with deftness and deep learning, and productive of more insights than a brief review can acknowledge... The achievement of this brilliant book is to show the truth of the Cherstertonian paradox that is its subtitle." - John Pridmore, Theology, Vol. CXII No. 867, May/June 2009--Sanford Lakoff "Theology " "In this enjoyable book the imaginary worlds of Chesterton and Tolkien are explored in order to show their shared basis in a dynamic theology of creation and incarnation, an essential aspect in the revival of Christian imagination today." Benedicta Ward SLG, Reader in Christian Spirituality, Oxford University, UK--Sanford Lakoff "The fictional worlds of Chesterton and Tolkien are not only theological but also deeply Augustinian: they show us universes in which creatures exchange gifts with one another and with God. So argues Alison Milbank, with verve and brilliance, in this finely conceived and beautifully written book." Kevin Hart, The University of Virginia --Sanford Lakoff
About the Author:
Alison Milbank is an Associate Professor in Literature and Theology at the University of Nottingham, UK. She was formerly John Rylands Research Institute Fellow at the University of Manchester, UK, and taught at the Universities of Cambridge, UK, Middlesex, UK, and Virginia, USA.
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- PublisherT & T Clark International
- Publication date2007
- ISBN 10 0567040941
- ISBN 13 9780567040947
- BindingHardcover
- Number of pages218
- Rating
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