Otto Wagner, Adolf Loos, and the Road to Modern Architecture

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9780521623469: Otto Wagner, Adolf Loos, and the Road to Modern Architecture
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Contemporary architectural theory emphasizes the importance of 'tectonics', the term used to articulate the relationship between construction, structure and architectural expression. Despite the term's currency, little consideration has been given to its origins or historical significance. In this 2002 study, Werner Oechslin examines the attempts by early modern theoreticians of architecture to grapple with the relationship between appearance and essence, which is crucial to the discourse of tectonics. Referring to the writings of Joseph Lux, Karl Bötticher, and Adolf Loos, Oechslin follows this development from theories of a classical architecture without columnar orders to a Modern architecture upholding the 'truth'of its own architectural expression. Oechslin locates the culmination of this discourse in the work of Adolf Loos and in Le Corbusier's frequent references to Ancient Greece as the precedent of Modern architecture's honesty. This volume includes an anthology of primary texts by several theorists published in English.

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"In this collction of essays, as concise as they are broad- ranging and erudite, oechslin explored the multiple implications for modernity of two key, and co-dependent terms of 19-th century art theory, and offered an adroitly selected anthology of excerpts from architectural theories." Harvard Design Magazine

"Those interested in a narrative review of writings on architecture, presented with intensity and in detail, will be pleased with, informed by, and interested in Oechslin's offering." Centropa

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Oechslin considers the origins of 'tectonics', the term used to articulate the relationship between construction structure, and architectural expression, through the work of early modernist architects Otto Wagner and Adolf Loos. The 2002 volume includes an anthology of primary texts by several theoreticians published in English.

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Book Description Cambridge University Press, 2002. Hardcover. Condition: New. Dust Jacket Condition: Fine. This specific hardback book is in new condition with a hard board cover that has sharp edges and corners and has a tight binding. The pages are clean, crisp, unmarked and uncreased. The dust jacket is in fine condition with barely detectable wear if any. We package all books in custom cardboard book boxes for shipment and ship daily with tracking numbers.; "Contemporary architectural theory emphasizes the importance of "tectonics," the term used to articulate the relationship among construction, structure, and architectural expression. Yet, little consideration has been given to the term's origins or historical significance. In this study, Oechslin examines the attempts by early Modern theoreticians of architecture to grapple with the relationship between appearance and essence. He locates the culmination of this search for "truth" in architectural expression in the work of Adolf Loos and the writings of theorists such as Bötticher, Le Corbusier, and Lux."; 9.84 X 7.09 X 0.79 inches; 282 pages. Seller Inventory # 12141

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2011. Hardback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Contemporary architectural theory emphasizes the importance of tectonics , the term used to articulate the relationship between construction, structure and architectural expression. Despite the term s currency, little consideration has been given to its origins or historical significance. In this 2002 study, Werner Oechslin examines the attempts by early modern theoreticians of architecture to grapple with the relationship between appearance and essence, which is crucial to the discourse of tectonics. Referring to the writings of Joseph Lux, Karl Boetticher, and Adolf Loos, Oechslin follows this development from theories of a classical architecture without columnar orders to a Modern architecture upholding the truth of its own architectural expression. Oechslin locates the culmination of this discourse in the work of Adolf Loos and in Le Corbusier s frequent references to Ancient Greece as the precedent of Modern architecture s honesty. This volume includes an anthology of primary texts by several theorists published in English. Seller Inventory # APC9780521623469

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